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I love getting post from abroad. Everything about it is charming: the feel of the envelope, the look of the stamps, even the fact that “U.S.A.” is included in the address.

I never rip it right open. I usually hold the letter in my hands for a minute, thinking about the long distance it has come, the water it has crossed, the person on the other end who has taken the time to sit down and put pen to paper.

Sometimes I have to wait for the right moment before I can open it. I never want to read a letter from abroad when I am agitated or in a hurry or distracted by some mundane matter.

But when the moment is right, I settle down on my favorite sofa, the one where the late afternoon sun slants across my shoulder. In that calm and quiet spot, I carefully slit open the envelope. I sip the words slowly, letting them swish around in my mind. I savor their flavor and their meaning. I note their nuances and subtleties. I picture the person who wrote it and the place where he wrote.

A letter, an old-fashioned handwritten letter from abroad, is something I can tuck in my book and read again later. It is something I can take with me wherever I go. It is something I can save forever, tied up with others like it, bound together and stored in a drawer.

So where is the Virginia Woolf connection in all of this? Well, we all know she wrote and received lots of letters — volumes in fact. Five of them sit on my bookshelf.

But two other things have made me think about letters. The first was a note I received from Cecil Woolf, nephew of Leonard and Virginia, who wrote to say that he and his wife Jean Moorcroft Wilson had spent 12 days in South Africa, where they spoke at the University of Capetown. Cecil’s talk was titled “As I Remember Them: Virginia and Leonard Woolf.” His missive was dated Jan. 26, and I thought about the significance of that date as well.

Cecil Woolf

The second thing that made me think about letters was the much-discussed news that Angelica Garnett has published a new volume of short stories, The Unspoken Truth: A Quartet of Bloomsbury Stories. These stories are not letters. But Garnett has been quoted as saying that the stories are autobiographical, not invented, for the most part.

Those things led me to ponder the similarities between real life and fiction and the differences between real life stories and the lives we share via letters. Both are edited, either formally or informally. Both alter the realities of our daily lives. Both stay true to those realities.

Call for Papers: International Society of Virginia Woolf Panel on Bloomsbury and Africa

Welcomed subjects include Woolf’s imaginative uses of Africa, the Dreadnought Hoax, Bloomsbury and African art, Leonard Woolf and Africa and Hogarth Press publications.

Abstracts of 500 words are due March 12, 2010, to Danell Jones, danelljones@bresnan.net.

The 2011 MLA Annual Convention will be held Jan. 6 to 9, 2011, in Los Angeles.

Call for Papers: Woolf Panel on Victorian Woolf

Possible topics include Woolf’s Victorians and Victorianisms, her debts to Victorian contexts, sources and precursors; her modernism reframed, denied or backdated; her late- or neo-Victorian politics, technologies, travels and afterlives.

Abstracts of 250 words are due by March 2, 2010, to Jesse E. Matz, matzj@kenyon.edu.

The 2011 MLA Annual Convention will be held Jan. 6 to 9, 2011, in Los Angeles.

Woolfians will head to Glasgow, Scotland, for the 21st Annual International Conference on Virginia Woolf, which is set for June 9 to 12 at the University of Glasgow.

Jane Goldman, reader in English literature at the University of Glasgow, is organizing the conference. She is also the general editor of the Cambridge University Press edition of the Writings of Virginia Woolf.

Blogging Woolf will post more details as they arrive. Meanwhile, if you like to plan ahead, check here for information about traveling to Glasgow.

On Pol Culture, Robert Stanley Martin reviews “Kew Gardens,” a Virginia Woolf short story published in the volume Monday or Tuesday: Eight Stories.

In his review, Martin says Woolf’s story, originally published privately in 1919, “may be the greatest of her short stories.” Read his review.

You can read his other posts discussing Woolf’s writings at the links below:

From Fernham’s way comes news of a play inspired by Virginia Woolf. Titled Among Roses and the Ash, it will be staged  in New York City Jan. 27-31.

According to the play’s Web site, the play is a “meditation on the power, beauty, and limitations of the English language, seen through the eyes of an author. It is described as incorporating “movement, sound and image to explore the work of a literary artist.”

Performances are at 8 p.m. Jan. 27 to 30 and at 2 p.m. and 8 p.m. on Jan. 31 at the WOW Cafe Theater, 59-61 E. Fourth St. 
on the fourth floor. Tickets are $10 at door, or online at fabnyc.org.

Virginia Woolf is in my thoughts on Jan. 25. And this year, the 128th anniversary of her birth, Paste Magazine celebrates her life and legacy with a list of 10 songs that reflect her life and work.

Below are a few other places to read birthday wishes to the grand dame of the modernist novel.

Like many of you, I have shelves full of books at home that I have not yet read. Some have been in my possession for decades, some for years or months.

Now I am starting to stockpile DVDs and CDs as well. I am embarassed to say that among the latter is the recent release from the BBC of “The Spoken Word: The Bloomsbury Group.”

This two-disc set, which features voices of Bloomsbury that have long remained unheard, has been sitting on my shelf for months. And I have yet to peel off the cellophane.

But after reading the details on the Mantex Web site, I expect I will soon pop one in my CD player.

According to Roy Johnson, here are some of the treats that await those who own the set, which comes with a 16-page explanatory booklet:

  • Leonard Woolf with a Who’s Who of the Bloomsbury Group
  • Duncan Grant talking about the infamous Dreadnought Hoax
  • Frances Partridge speaking about the group’s broad influence
  • David Cecil detailing Virginia’s appearance and Quentin Bell describing her fashions
  • Angelica Garnett on various attitudes towards members of the Group
  • Vita Sackville-West talking about the inspiration behind Virginia Woolf’s Orlando
  • Benedict Nicholson remembering Virginia Woolf’s visits to Sissinghurst
  • Elizabeth Bowen recalling Bloomsbury parties and Virginia’s antics
  • Ralph Partridge reminiscing about time spent with Leonard and Virginia Woolf
  • Two newly formed networks, the Scottish Network of Modernist Studies and the British Association of Modernist Studies, will host their first major international conference at the University of Glasgow Dec. 10-12.

    This inaugural conference is based around Virginia Woolf’s famous and controversial statement in an essay of 1923, often taken as indicating a possible starting-point for modernity, that

    on or about December 1910, human character changed.

     The groups invite scholars and practitioners from all disciplines to respond to any aspect of this statement. Relevant disciplines might include but are not restricted to literature, history of art, cultural history and the history of ideas.

    Topics might include but are not restricted to:

    • glossing the symptoms of change in 1910 that Woolf cites in her explanation of that slogan.
    • broader contexts and tangents, literary, cultural, political, historical, which might include:
      • death of the King; Asquith government crisis; suffragettes and other political unrest;
      • Post-Impressionist show; Dreadnought hoax;
      • events beyond Britain in Europe, Mexico, Africa etc.;
      • books published in 1910;
      • activities of key cultural figures at that moment;
      • 1910 diary entries.
    • philosophy on or about 1910 – idealism, pragmatism and beyond.
    • religion, spirituality, modernity.
    • periodization and theories of change.
    • theories and representations of ‘human character’.
    • 1910 seen from the 1920s.
    • ‘in or about’ or ‘on or about’?
      • Prepositions and temporality.
      • Versions of Woolf – Leonard Woolf as editor.
    • accuracy and arbitrariness.

    Organizers have already received panel proposals in the following areas and would also welcome expressions of interest in these areas:

    • Scotland 1910
    • Film around 1910
    • Modernism and Theory
    • Women at 1910
    • On or about December 2010: Human Character in the Age of Climate Change
    • Politics 1910
    • The periodical scene in 1910
    • Literature and the visual arts
    • The book in 1910
    • 1910 and middlebrow culture
    • Music and 1910
    • Europe 1910
    • 1910 and intermodernism
    • Periodising the century
    • Theatre and 1910

    Paper abstracts of 200 words; or proposals for panels, round-tables, seminars or other expressions of interest, should be sent to conference organizers Bryony Randall and Matthew Creasy via e-mail at snms@arts.gla.ac.uk by May 1

    Visit the conference Web site for more details.

    You have been cordially invited to tea at 6 p.m. on Jan. 25.

    In celebration of Virginia Woolf’s 128th Birthday, the Shakespeare’s Sister Company is hosting a High Tea Literary Book Swap in proper British style.

    The event will be held at Lady Mendle’s, 56 Irving Place, between 17th and 18th streets in New York City.

    Patrons will enjoy the following:

    6 – 6:30 p.m. -Tea and Mingling
    Enjoy an assortment of teas, a buffet of tea sandwiches and scones with clotted cream and jam.

    6:30 – 7:10 p.m. – Literary Book Discussions
    Each guest will introduce the title/author of the book, one sentence describing what the book is about, an interesting fact about their favorite part of the book and what kind of book they are looking to swap for.

    For those who prefer not to speak, we will provide ink and paper for you to write down your details and an SSC member would be happy to read it aloud on your behalf. We’re all friends here.

    7:10 – 7:30 p.m. – Literary Book Swap
    Guests will have the opportunity to trade their book as many times as they’d like. Additionally, the SSC will provide a program listing all of the books being traded for patrons to reference.

    7:30 – 8 p.m.  - Tea and Mingling
    The event concludes at 8 p.m. However, patrons are welcome to migrate downstairs to the martini bar and heated outdoor garden for cocktails.

    Regarding attire, please come dressed in your British Best! Dresses and suits are encouraged. Hats and gloves are not required, but are encouraged.

    All-inclusive admission runs $35 per person.

    Please RSVP no later than Thursday, Jan. 21. All payments are kindly accepted in advance via PayPal to info@shakespearessister.org.

    Today is the day for the Woolf in Winter online discussion of Mrs. Dalloway. To join it, subscribe to the comment feed for the original invitation post: “Woolf in Winter: An Invitation.”

    • To find out more about the upcoming discussions on three other novels, go here. The discussions will be led by the four bloggers, SarahEmilyFrances and Claire, who came up with the plan.
    • Read thoughts on Mrs. Dalloway at “Nonsuch Books.”
    • “Lakeside Musing” has already posted her wintertime thoughts about reading MD. She says it is a novel that improves with age — the age of the reader.
    • Another blogger–and an English professor to boot–shares her experience of falling under the spell of Woolf’s words after struggling with “how to read” MD. Rohan Maitzen blogs about her reading experiences on Novel Readings.
    • To find out what some first-time readers of Woolf have already had to say about Mrs. D, go to this post at “another cookie crumbles,” the blog of a 23-year-old book lover living in London.
    • To read William Patrick Wend’s thoughts about the novel in an intertextual context, read his essay, “The Intertextual World of Mrs. Dalloway” on Blogging Woolf.

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