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Below is a comment from Elisa Kay Sparks and a link to her review of Woolf Works.

Dear All-
I’ve finished my review/ explication of Woolf Works, the new Wayne MacGregor ballet I was lucky enough to get to see in London.  All the time I was watching it, I was wishing all of you were in the audience with me; this is the best I could do to make that so.  At the end I’ve added links to a lot of the reviews which have photographs of the performance and to a series of videos that show the dancers in rehearsal as well as  conversations among the choreographers, dancers, and dramaturg.

Study Woolf: Review of Woolf Works, Royal Opera House, May 13, 2015.

Editor’s Note: Emma Slotterback is a student at Bloomsburg University who is writing a series of articles for Blogging Woolf in advance of the 25th Annual International Conference on Virginia Woolf: Virginia Woolf and Her Female Contemporaries, which will be held June 4-7 at Bloomsburg University in Bloomsburg, Pa. This is the first article in the series.

By Emma Slotterback  

Bloomsburg

Dr. Tina Entzminger, chair of the Bloomsburg University English Department, with a book discussion group at the Emporium.

The Bookstore and the Shops at the Emporium have long been a haven for Bloomsburg’s off-beat types. Walk in on a Saturday morning and you’ll find friends in flowing skirts discussing the latest local novel, university students grabbing a cup of coffee, and children riffling through shelves of kindly-used fantasy novels.

On Thursday evenings this March and April, the Bookstore was filled with a different sort of off-beat type: students and teachers of modernist literature. Bloomsburg University English Department chair Tina Entzminger, in coordination with the 25th Annual International Conference on Virginia Woolf, organized a series of lectures and discussions about Virginia Woolf and her female contemporaries.

Over cups of coffee, tea, and homemade malted milk balls, Bloomsburg faculty, students, and town residents discussed writers such as Djuna Barnes, Nella Larsen, Dorothy Richardson, Gertrude Stein, and of course Virginia Woolf herself. Guided by the knowledge of the English faculty, we discussed the larger questions posed by these women’s work: how should autobiography inform our interpretation of an artist’s work? Was Stein’s ego as large as Ernest Hemingway’s or was she poking fun? Is £500 and a room of one’s own really enough to become a self-actualized artist? Some discussions highlighted male and female inequality, while other discussions focused on queer theory and its implications within a certain story.Bloomsburg book group

By hosting these reading groups, we hoped to embody the spirit of Woolf’s idea of the “common reader,” appealing to both the scholar-critic and the lay reader in pursuit of the simple pleasure of reading. One of our most dedicated participants was a woman enrolled in adult literacy courses, who tested her new skills with challenging material. The connections formed in the Bookstore this spring demonstrate the ability of Virginia Woolf’s work to appeal to all readers.

Monk’s House from the rear

I saw the item below on Twitter today. It identified the shot as being “Virginia Woolf’s front porch in full bloom.”

It’s not, of course. The photo really depicts the attached greenhouse at the rear of Monk’s House in Rodmell, Sussex. But it’s a pretty shot nonetheless, so I’m adding it here, with thanks to @maisie_rs for loving Virginia Woolf enough to post it.

Thanks goes to @louisbarabbas on Twitter for the news about this song based on Virginia Woolf’s Mrs. Dalloway and written especially for Manchester After Hours for the 90th anniversary of the 1925 novel.

Musicians from Debt Records took part in the open recording of the song, which writers Louis Barabbas and Felix Hagan call “something of a tug-of-war between light and dark.” It was recorded in the Henry Watson Music Room at Manchester Central Library on Thursday, May 14, 2015.

A literary soundtrack inspired by Virginia Woolf’s Mrs. Dalloway from The Paris Review, July 24, 2012.

Russian film director Daria Darinskaya has made a film trailer for Virginia Woolf’s The Waves, and it was short-listed in a Russian competition that asked film makers to feature their favorite book.

“I’m a film director and I’ve always dreamed to make screening of it, but I didn’t know how, before this contest,” said Darinskaya, who plays Woolf and Rhoda in the trailer.

“It just occurred to me one day – the light suddenly turns off and the six heroes are lost in the darkness with only their flashlights in their smartphones (like the first title of the novel, ‘The Moths’). They are trying to fix the electricity and waiting for their friend Percival. I think The Waves contains the answers for all our life. I wanted to show that the six heroes of The Waves are like us – they’re common people who feel common things, but they just speak with the words from the novel.”

She is planning a full-length film adaptation of The Waves, according to the Virginia Woolf Society of Great Britain’s Facebook page.

An exhibit of Vanessa Bell’s graphic book covers designed for the Hogarth Press are now on exhibit at  The National Museum of Women in the Arts in Washington, D.C.

The exhibit, which includes designs for Virginia Woolf’s novels, opened May 11 and runs through Nov. 13.

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