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Call for Papers for the Selected Papers from the 26th Annual International Conference on Virginia Woolf: Virginia Woolf and Heritagewoolf conference 2016

Volume Editor: Jane de Gay with Tom Breckin and Anne Reus (Leeds Trinity University)

Series Editor: Wayne K. Chapman (Clemson University)

You are invited to submit your conference paper for consideration for the Selected Papers, which will be published by Clemson University Press/Liverpool University Press in time for the Woolf Conference of 2017.

Please submit your paper to Woolf2016@leedstrinity.ac.uk by Aug. 10, 2016.

Submissions should be 3,000-3,500 words, including Endnotes and Works Cited.

  • Please present your paper in the using the latest MLA Style Sheet and use the standard abbreviations for Woolf’s works, as established by the Woolf Studies Annual.
  • Please submit your paper in rich text format (preferred) or a Word docx file.
  • If using illustrations, please send them and captions as separate files and indicate in the body of your paper where the illustrations should be placed. (See over for technical details.) Authors must secure permissions for quotations or images.

The Selected Papers will feature twenty-five papers from the panel sessions, alongside some of the plenary talks. The selection of papers will be based on the following criteria:

    • recommendations by conference delegates
    • the currency/relevance of the paper beyond the conference
    • originality of contribution to Woolf Studies
    • engagement with relevant scholarship
    • the quality of writing and presentation.

Technical note on illustrations

Illustrations can be supplied as electronic files, of which TIFF files are best. Illustrations need to be at least 300dpi (dots per inch) at the size at which they are to be reproduced: i.e. a postage stamp image at 300 dpi is no good unless it is being reproduced at postage stamp size, as by the time it is blown up it will lose resolution. Images can be scaled down to fit, but not scaled up too much unless the resolution is very high.

Scans need to be gray scale or CMYK. If RGB scans are supplied we will convert them into CMYK for the printers, but the colour may alter a bit. So if the illustration needs to be accurate to an original photograph or painting, you must supply CMYK scans with the colour corrected to your satisfaction.

When submitting electronic files for your illustrations, please also submit a visual hard copy reference as well, clearly labelled with its figure number as well as a caption.

 

For the first time, a major exhibit will focus on the work of Vanessa Bell. It will be mounted at London’s Dulwich Picture Gallery and run from Feb. 8 to June 4, 2017.

Here’s a post from The Charleston Attic that spells out the role that Bloomsbury in the country plays in the exhibit:

‘Vanessa Bell 1876-1961’ at Dulwich Picture Gallery

“This week a team from Dulwich Picture Gallery visited Charleston for the day in order to photograph objects and interiors for the upcoming exhibition ‘Vanessa Bell 1876-1961’.”

Read the full post: ‘Vanessa Bell 1876-1961’ at Dulwich Picture Gallery | The Charleston Attic

Read here on the Royal Botanic Gardens, Kew’s Library Art and Archives blog about the evolution of Virginia Woolf’s iconic short story Kew Gardens from its first edition with Vanessa Bell woodcut prints through the 1927 publication hand illustrated by Bell and on to RBG Kew’s new edition published in 2015 with contemporary illustrations by Livi Mills.

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1927 edition of Kew Gardens held in RBG, Kew’s LAA collection

 

 

 

Here is an overdue collection of Woolf sightings from around the Web:

  1. A call for papers: Legacy and the Androgynous Mind: Reading Woolf and the Romantics https://www.cfplist.com/nemla/Home/S/16225
  2. To the Lighthouse is The Wall Street Journal Book Club pick. http://on.wsj.com/29KLes3
  3. Virginia Woolf visited Wordsworth’s Dove Cottage. http://www.cumbriacrack.com/2016/07/14/wordsworths-dove-cottage-celebrates-125-years-open-public/
  4. “Typology of Women” project is an exhibition and a book that includes Virginia Woolf’s essay, “A Room of One’s Own.” http://bit.ly/29F1avz
  5. Radio Girls by Sarah-Jane Stratford, which brings in Virginia Woolf and Vita, is a hit. http://usat.ly/29z8YiC
  6. Bloomsbury in Sussex: A One-day conference https://centreformoderniststudiessussex.wordpress.com/bloomsbury-in-sussex-a-one-day-conference-marking-100-years-at-charleston/
  7. Vanessa Bell will have solo show at Dulwich Picture Gallery next year. http://bit.ly/29p4ECB
  8. An artist who promises to solve a Virginia Woolf riddle, The Waves. http://bit.ly/29noUIL
  9. More on Ethel Smyth’s music, including a video, and news of the biopic on her life, starring Cate Blanchett. http://bit.ly/29nou59
  10. Head writer for Inside Amy Schumer includes reference to Virginia Woolf in book of essays. http://nyti.ms/29p3YwL
  11. The “Virginia Monologues” inspired by Woolf. http://bit.ly/29qGhVZ
  12. On my next trip to London, I plan to visit the The Bloomsbury Club Bar. I hope they’ll comp me a drink. They have 10 of them named after Bloomsbury group members. http://bit.ly/29hNmei
  13. The Guardian on the upcoming Vita and Virginia film. http://bit.ly/29hMHtA
  14. Opera House Arts offers “Orlando.” http://bit.ly/29qFxQp
  15. Is Southern Appalachian writer Julia Franks a 21st-century Virginia Woolf? This reviewer thinks so. http://bit.ly/28SbjnW
  16. The overlooked woman from the BBC who put Virginia Woolf on the air. http://bit.ly/28MC7Yr
  17. Coverage of Virginia Woolf’s connection with Yorkshire and the Bronte Parsonage Museum, along with The International Virginia Woolf Conference 2016 in the Yorkshire Post. http://www.yorkshirepost.co.uk/lifestyle/books/when-virginia-woolf-met-the-relics-of-charlotte-bronte-at-haworth-1-7966226
  18. A sustained homage to Woolf’s Mrs. Dalloway in AL Kennedy’s “Serious Sweet.” http://on.ft.com/1sAeJnP
  19. Penguin Books bite-sized classics for 80p–including Virginia Woolf’s Mrs. Dalloway–are luring younger readers. http://bit.ly/1TPRXBi
  20. Virginia Woolf stayed at the Hotel Villa Cimbrone on the Amalfi Coast. Bella! http://bit.ly/1TPR37V
  21. The complete script of “Life in Squares,” the 3-part BBC TV series about the Bloomsbury group, is out. http://amzn.to/1XoXIZm
  22. Here’s a must-see: “A Room of Their Own: Lost Bloomsbury Interiors 1914-1930,” an exhibit June 10 – Sept. 4 in Bath https://bathnewseum.com/2016/05/20/designs-on-the-bloomsbury-group/
  23. What the Dickens does Dickens have to do with Virginia Woolf and Mrs. Dalloway? Andre Gerard explains in Berfrois. http://bit.ly/1TsMtxu

Angelica in the Studio

Here’s a blog post from the Charleston Attic about children, creativity and Bloomsbury.

“This week’s discovery of a child’s drawing in the Gift can be seen to reveal more about the children of Bloomsbury and their involvement in the creative practises of the household.”

Read the entire post: Angelica in the Studio

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Chanya Button will direct Vita and Virginia

Deadline.com is reporting that the film Vita and Virginia is now set to be directed by British Director Chanya Button.

Button recently directed Burn Burn Burn (2015), and tweeted her excitement with her new project, writing, “Thrilled to be Directing this. Collaborating with & celebrating brilliant women!”

This is a switch from the news we got last year which indicated that the film would be directed by Sacha Polak, the Dutch director of such films as Hemel (2012) and the documentary New Boobs (2013).

The film is based on Dame Eileen Atkins’s script Vita and Virginia, which is based on her play by the same name. The film is still set to be produced by Mirror Productions and Blinder films, and casting choices have not yet been announced.

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Virginia and Vita in 1933

After an unforgettable time at the Woolf Conference in Leeds, my boyfriend and I treated ourselves to a short stay in London as a reward for ourselves. I successfully presented a paper at the conference (and didn’t pass out from being so star-struck over all of the scholars!), while he had successfully completed chapter two of his Ph.D dissertation.

We tried to pack in as many literary trips as we could, and we couldn’t leave England without making a trip to check out the Dalloway Terrace, named after Clarissa Dalloway herself.

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Menus and a Woolf book outside of the restaurant.

The Dalloway Terrace restaurant is located in The Bloomsbury Hotel which is in a fantastic location in the heart of Bloomsbury. The hotel is a three-minute walk to the British Museum, seven-minute walk to Russell Square, and ten-minute walk to many Woolf sites, such as the lovely statue in Tavistock Square dedicated to the author.

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A view of the terrace.

The dreamy atmosphere is the highlight of this outdoor restaurant. Marble topped tables are surrounded by benches which are made comfortable with big pillows. Each chair on the terrace is draped with a wool blanket in anticipation of the ever changing English weather. Candles flicker on tables which are separated by big pots of lush, green plants. It is absolutely lovely.

The servers were kind, helpful and highly attentive, and the food was delicious. The restaurant offers several different menus, including breakfast, brunch, lunch, afternoon tea, and dinner menus, along with a tempting cocktail menu. The afternoon tea at the Dalloway has been getting rave reviews, and many Londoners suggest making a trip to the Bloomsbury Hotel specifically to enjoy the tea service.

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Cake and cream at the Dalloway.

We ordered a few British specialties, such as fish and chips, and we couldn’t skip the delectable dessert menu, from which we ordered a few ice creams and cakes. Everything was presented very elegantly, and every bite was full of flavor. We decided that the old cliche about British food being bland is highly incorrect and dated!

After a few Bloomsbury-themed afternoon cocktails, we started to feel that Clarissa herself might enjoy this restaurant; one could almost see her among the twinkling lights, charming friends between the spatter of rain drops on the clear dividers—planning her next party perhaps.

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Afternoon tea on the terrace (image from TripAdvisor.com).

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The dissertation felt worlds away while at the Dalloway!

The meal was delightfully regenerating and the terrace was a perfect place to take a break from enjoying one of the most exciting and literary cities in the world. One could easily spend a few hours on the terrace, sipping cocktails, enjoying small cakes, and discussing the importance of Modernist literature. We did this several times during our trip!

My partner and I enjoyed the Dalloway Terrace so much that we dined there multiple times while in London–and we are already dreaming of our next meal at the this beautiful and delicious restaurant. Enjoying yummy food in such a dreamy environment was a highlight of our trip. We highly recommend making a trip to visit this lovely retreat in the heart of London.

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A happy Yankee on a London terrace.

We did not make reservations for our dining experiences, but the restaurant highly recommends reservations, especially on the weekends.

The Dalloway Terrace accepts reservations for individual dining, group dining, and private events.

If you are in London you can find the Dalloway Terrace inside of the Bloomsbury Hotel located at 16-22 Great Russell Street, London, WC1B 3NN, or phone the restaurant at +44 (0) 207 347 1221.

You can find information about booking a room at The Bloomsbury Hotel here.

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