2. “Virginia Woolf, Edith Wharton, and a Case of Anxiety of Influence” in the New Yorker, Sept. 19, 2014.
This essay is generating lively discussion on the VWoolf Listserv, with writers questioning author John Colapinto’s assertion that Woolf’s lighthouse imagery in To the Lighthouse was borrowed from Wharton. As Linda Camarasana put it, “Makes me want to tell him to read ‘Reminiscences’ and ‘A Sketch of the Past.’ Surely he should at least acknowledge Woolf’s youth, trips to St. Ives, the haunting sounds of the waves, Julia’s death, and Stella’s death as the most obvious influences on To the Lighthouse.”
Another dispute is prompted by this line of Colapinto’s: “Though I can find no record of Woolf having read The Age of Innocence, it seems unlikely that she would have failed to read Wharton’s most famous and celebrated book, if for no other reason than she would have been curious about the first novel by a woman to win the Pulitzer.”
According to Stuart N. Clarke, Woolf acknowledged receipt of a copy of The Age of Innocence in an uncollected letter to publishers Messrs Appleton & Co. on 18 Nov 1920. The letter was published in the January 2011 edition of the Virginia Woolf Bulletin. In that issue’s accompanying note, Stephen Barkway discusses Woolf’s published comments on Wharton and Wharton’s irritation.
3. Review of Arctic Summer by Damon Galgut, a fictional biography of E.M. Forster in the Washington Post, Sept. 18, 2014, that includes “lightly fictionalized” accounts of meetings with Virginia and Leonard Woolf.
4. London photos: Virginia Woolf’s Mrs Dalloway book bench on the Flickfilosopher blog, Sept. 18, 2014. For more, see Close-up views of the Mrs. Dalloway bench and This summer, take a seat on the Mrs. Dalloway bench
5. Professor’s new book explores theories of place in the Bowdoin Orient, Sept. 12, 2014. The People, Place, and Space Reader, a new anthology dedicated to scholars writing about the ways in which people inhabit the space around them, includes an excerpt from A Room of One’s Own.