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Archive for the ‘art’ Category

Virginia and Vita. Virginia and Leonard. Vanessa and Roger. Vanessa and Duncan. All four of those Bloomsbury couples are included in the exhibit “Modern Couples: Art, Intimacy and the Avant-garde” at The Barbican Art Gallery in London through Jan. 27, 2019.

According to promoters:

Modern Couples explores creative relationships, across painting, literature, sculpture, photography and design. Meet the artist couples that forged new ways of making art and of living and loving, from Frida Kahlo & Diego Rivera, Emilie Flöge & Gustav Klimt to Virginia Woolf & Vita Sackville-West.

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Art inspired by Virginia Woolf always inspires me. And that was the case at the 28th Annual  International Conference on Virginia Woolf last June at Woolf College at the University of Kent in Canterbury, England.

Luz Novillo-Corvalán

Woolfian Artists

Luz Novillo-Corvalán from Argentina’s University of Cordoba was one of three artists on the “Woolfian Artists” panel the first morning of the conference.

The others were Ane Thon Knutsen with “Reading Woolf from the Type Case Perspective: Finding Artistic Freedom Through ‘The Mark on the Wall'” and Adriane Little with “Virginia Woolf Was Here” in which she combined Woolf’s words with water from Woolf sites.

Portraits and more

Luz’s presentation, “Portraits of Radical Women: From Anais Nin to Virginia Woolf,” featured her lovely portraits of those artists and others, embroidered in one continuous chain stitch on paper.  The Woolf portrait is pictured below, along with other pieces Luz displayed — and sold — at the conference.

Luz Novillo-Corvalán’s embroidered portrait of Virginia Woolf

“Why should men drink wine and women water,” asks Virginia Woolf in A Room of One’s Own, and Luz Novillo-Corvalán adds a new twist to the question by embroidering it on a handkerchief.

Displayed at the conference: paper art with a Woolf theme featuring The Waves, Orlando and Monk’s House from Luz Novillo-Corvalán.

Luz Novillo-Corvalán’s artistic interpretation of The Waves

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Virginia Woolf’s A Room of One’s Own has inspired a two-story bronze sculpture, “Beyond Thinking,” which apparently has a double meaning and is prompting discussion on social media and beyond.

It will be unveiled at Newnham College, Cambridge, on the 70th anniversary of the first degree ceremony for its female graduates, held in 1948.

Positioned at the entrance to the College’s new Dorothy Garrod building, named after the pioneering archeologist, the sculpture is the first thing that students and visitors will see.

Artist Cathy de Monchaux commissioned artwork inspired by Virgina Woolf’s ‘A Room of One’s own’ at Newnham College, Cambridge photographed by Alun Callender.

Former Turner Prize nominee Cathy de Monchaux, who is known for using vulvas in her work, created the piece, which stands out in relief from a wall and repeats an intricate motif. It is one that — depending upon the viewer — can be seen as a vulva or an open book.

While The Guardian reported that the sculpture depicts the female vulva, the college says it depicts a tower of books.

Two views

The sculpture is “standing out in relief from a wall . . . [and] repeats an intricate genital motif which can also be seen as an open book, the pages lined with the branches of a tree of knowledge,” writes The Guardian.

The sculpture “shows a vertical column of open books set into the fabric of the building. Instead of words, a vine-like structure is embedded in the pages. The spine of each open book holds a female figure gazing out at the world,” says the college news release.

Take the poll

You can decide for yourself by viewing additional photos and taking the online poll available on this CambridgshireLive post.

A Room of One’s Own (1929) was based on a talk Woolf gave to the female students of Newnham and Girton Colleges, Cambridge, in 1928.

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Oh, to be in London next week! The book launch of From Omega to Charleston: The Art of Vanessa Bell and Duncan Grant 1910-1934 will take place at Hatchards Piccadilly, 187 Piccadilly, London, W1J 9LE, March 14.

A panel discussion with Piano Nobile will be held at 5 p.m.  The book launch is 6 – 8.30 p.m. Limited seating is available. RSVP by emailing events@hatchards.co.uk

About the book

Added below is information provided by the Virginia Woolf Society of Great Britain:

The book is published to accompany the exhibition From Omega to Charleston: The Art of Vanessa Bell and Duncan Grant, 1910-1934, this fully illustrated catalogue includes an essay and catalogue entries by Richard Shone (author of Bloomsbury Portraits (1993) and curator of The Art of Bloomsbury, Tate, (1999), the book explores the unique creative relationship shared by Bell and Grant through rarely seen works from private collections, some of which are reproduced for the first time, and a selection of loans from The Charleston Trust.

Famous Women Dinner Service

The second half of the publication focusses exclusively on The Famous Women Dinner Service. Begun in 1932 at the request of the art historian and director of the National Gallery Kenneth Clark and his wife Jane, these fifty plates were decorated with images of famous women through the ages, from Sappho to Greta Garbo.

Considered lost by art historians for nearly 40 years, the dinner service forms an impressive testament to Bell and Grant’s close working partnership. A ground-breaking essay by Hana Leaper is succeeded by closer scholarship dedicated to the individual plates. Produced in partnership with the Paul MellonCentre for Studies in British Art, this research is published in print for the first time.

The glorious catalogue is available for view on the Issuu website.

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Lots of Woolf on the Web these days. Here are a few important sightings gleaned via Twitter links shared by Jane deGay and Maggie Humm.

  • Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence, edited by Elsa Högberg and Amy Bromley, is a collection of 16 original essays offers fresh perspectives on Orlando through a unique attention to Woolf’s sentences.
  • Six Ways Virginia Woolf Pre-Empted Spring’s Key Looks,” by Kaye Fearon in British Vogue, Feb. 21, 2018.
  • Bonnie Greer on Virginia Woolf and the Bloomsbury Group, a podcast discussing the friendships, work and designs behind the artists, coordinated with the Virginia Woolf exhibition at Tate St Ives, 10 February – 29 April 2018. Then view her art walk below.

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This banner promoting fundraising for the Virginia Woolf statue was displayed at the banquet at the 27th Annual International Conference on Virginia Woolf at the University of Reading.

Virginia Woolf will be seated on a bench at Richmond upon Thames, Riverside, for all to see — and sit next to — if a heritage project seeking £50,000 through crowd-funding is successful.

Arts and education charity Aurora Metro launched the project to create the first ever life-sized, full-figure bronze depiction of Woolf. The London Borough of Richmond has recently given the public the opportunity to comment on the proposal via a consultation document on its website. Deadline for commenting is Dec. 10.

Society says sculptor fails to capture Woolf

The executive council of the Virginia Woolf Society of Great Britain has discussed the proposal and told the Borough of Richmond that, although it fully endorses the idea of a full-figure statue of Woolf in the Borough to memorialize the importance of her time there, unfortunately it feels that sculptor Laury Dizengremel has not captured Woolf’s likeness, according to an email the group sent members.  The IVWS membership agrees.

See for yourself

You can see for yourself by visiting the Aurora Metro website, where you can view three photos depicting the statue. You can make a donation at that page as well. The statue project also has a Facebook page.

If you would like to volunteer to help raise funds for the Virginia Woolf statue, contact info@aurorametro.com

Movement for more women

The Woolf statue is part of a movement to see more women memorialized as statues around Great Britain.

In March 2016 in the New Statesman, Caroline Criado-Perez surveyed the nation’s statues by gender and discovered “a mere 2.7 per cent are of historical, non-royal women. If you’re a woman, your best chance at becoming a statue is to be a mythical or allegorical figure, a famous virgin, royal or nude.”

She has also launched a campaign to get a statue of a suffragette erected in Parliament Square and has a petition asking the Mayor of London to do so.

 

 

 

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Amongst a box filled with stretched canvas and paintings on wood, we re-discovered these fantastic landscapes of the local area. Both painted by Vanessa Bell, the first is of the old Coach Road looking towards Firle Tower on the right. The leaves on the trees appear to be blowing in the wind, the farmland and coach road painted lightly in pinks and purples to represent the human touch on the landscape…

Source: Local Landscapes of Firle | The Charleston Attic

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