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Archive for the ‘Bloomsbury’ Category

The two new interns at Charleston continue to unearth work by Vanessa Bell and Duncan Grant as part of the Angelica Garnett Gift. They are photographing, cataloguing and publishing Grant and Bell’s works for viewing online.

Here’s the interns’ most recent post about two sketchbooks by Duncan Grant dated circa 1919 and 1923.

The Charleston Attic

Last week was #MuseumWeek 2016, and to celebrate, The Charleston Attic will once again be joining institutions all over the world by writing a blog post reflecting one of the themes trending on Twitter.

Thursday’s theme of cultural heritage, both tangible and intangible, shows the scope for discovery within the several thousand works on paper and canvas that make up the Angelica Garnett Gift.

Last week also marked our independence as the new Attic Interns as we continue with the task in hand: to photograph, catalogue and publish Grant and Bell’s works so that they may be viewed online. There is much excitement to be had in unearthing new items in the collection, and it seems like the perfect opportunity, in celebration of Charleston’s cultural heritage through the Gift, to talk about this week’s findings in relation to the theme.

We have been looking closely at two sketchbooks by…

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The summer season will kick off at Charleston, the Sussex retreat of the Bloomsbury Group, with free lectures by Charleston interns, beginning March 24 at 2 p.m.

Charleston Farmhouse

Charleston

The house will also be open via guided tours, which you can book here.

The lectures, which will take place in the historic barns, include:

  1. Vanessa Bell’s Faceless Portraits and The Angelica Garnett Gift by Rebecca Birrell
  2. Dressing Modern Identity: Victorian style re-imagined in The Angelica Garnett Gift  by Zoe Wolstenholme

You can also book a place on the Spotlight lectures.

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I’m guessing that many Virginia Woolf common readers and scholars will be traveling to London Sign PostLondon this year and next, since the 2016 and 2017 Annual International Conferences on Virginia Woolf will be held in England — this year in Leeds and next year in Reading.

No doubt they’ll be looking for Woolf’s London, including all of the places she lived and the streets Clarissa Dalloway walked.

So now is a good time to share a few fun resources that will help visitors eat, sleep and shop as Virginia Woolf and the Bloomsbury Group did.

For more tips on traveling in the steps of Virginia Woolf, visit In Her Steps. This page includes travel tips for London and beyond. It also includes links to Woolf tours, both audio and in-person.

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If you don’t already, follow The Charleston Attic blog, a record of the work of graduate student interns as they catalogue, research and interpret the Angelica Garnett Gift Charleston AtticCollection from the home’s attic.

Charleston, home of twentieth century artists, Vanessa Bell and Duncan Grant, and their daughter Angelica Garnett, was the Sussex retreat of the Bloomsbury Group. The internships are funded by the Heritage Lottery.

Here are links to this month’s posts:

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bathing-sceneNews and analysis of a recently discovered Vanessa Bell nude. Read more at this post, “Vanessa Bell’s Bathers, on The Charleston Attic blog.

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The Charlotte Street Hotel in the Bloomsbury district of London evokes the Bloomsbury Group with its art, its feel and its look, according to this video in which Kit Kemp explains the concept behind the drawing room.

The video begins with a Virginia Woolf quote from “Street Haunting,” goes on to explain the importance of the Bloomsbury Group, and mentions the art — of the Bloomsbury and artists of today — that is displayed on the walls. Of particular note is the Roger Fry painting that takes pride of place in the hotel library.

Special thanks to Helen Harrison of Chicago for sending Blogging Woolf the link to this information.

 

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I just came across a fascinating project titled “Literary Bloomsbury” that combines social media with theVW Twitter Bloomsbury Group.

In it, Camilla Lunde, whose Twitter handle is @CGlunde, imagines how Virginia Woolf, Vanessa Bell, E.M. Forster and the Hogarth Press would make use of 21st-century social media platforms such as Twitter, Facebook, Instagram and YouTube.

With this project, Lunde has given the four key members of the group their own social media presence. Woolf is on Twitter as @mrsstephenwoolf. Forester has an author Facebook page. Bell has an Instagram account as mrsstephenbell. And the Hogarth Press is on YouTube.

While I find the idea interesting, its reach is limited at present. Woolf only has four tweets posted. I was unable to find Forster’s page when I did a Facebook search. Bell’s Instagram account is private, so can’t be viewed unless one goes to a link on the Project Publishing blog. And I couldn’t locate the YouTube page for the Hogarth press either, although a screenshot exists on Lunde’s Tumblr blog. Lunde does not include links to the accounts on her blog.

Lunde’s project has won praise on social media and an award from the UCL Centre for Publishing at University College London.

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