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Archive for the ‘Bloomsbury’ Category

Remember The Bloomsbury Cookbook: Recipes for Life, Love and Art by Jans Ondaatje Rolls? Published in 2014 with all proceeds going to The Charleston Trust, it offered more than 180 recipes — some handwritten and never before published — from Frances Partridge, Helen Anrep and David and Angelica Garnett.

The recipes, according to publisher Thames & Hudson, promised to “take us into the very heart” the world of the Bloomsbury Group by recreating mealtime atmospheres at locations such as Monk’s House, Charleston Farmhouse and Gordon Square.

I pored over the book recently and picked recipes that I thought were closest to a Bloomsbury version of a traditional American Thanksgiving holiday meal.

I won’t be substituting any of these dishes for my family’s standby favorites, but here’s the Thanksgiving menu I chose from the book of Bloomsbury recipes.

A Bloomsbury Thanksgiving Menu

Cauliflower Soup, p. 306

Charleston Grouse, p. 274

Frances Partridge’s Haricots Verts, p. 79

Gingernut Biscuits, p. 25

Neptune’s Fruit Banquet, p. 207

Homemade Gateau de Pommes, p. 200 or

Baked Apple Pudding, p 343

Beyond recipes

The book is more than a cookbook. It includes photographs, letters, journals and paintings that contribute a social history angle as well.

Read more about Virginia Woolf and cookbooks on Alice Lowe’s blog.

 

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Anne Olivier Bell, art scholar, Bloomsbury matriarch, widow of Virginia Woolf’s nephew Quentin, and editor of her diaries, died yesterday at the age of 102.

Bell also helped Quentin pen his 1972 biography of his aunt and the two were instrumental in saving Charleston Farmhouse, preserving it for future generations of Bloomsbury scholars and fans.

In addition, she was known for playing an instrumental role in saving European art from the Nazis during World  II, serving in the Monuments Men effort.

As a result of her marriage to Quentin, Olivier moved into the heartland of the Bloomsbury milieu and, having inherited its values, became one of the most vigorous (and vigilant) guardians and promoters of the Bloomsbury revival. – “Anne Olivier Bell obituary,” The Guardian, July 19, 2018.

Read The Guardian obituary.

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  • Bloomsbury Spirit is the first exhibition in Sweden of the art and home decor of the Bloomsbury Group, including a recreation of Charleston. It takes place at Artipelag, set on Värmdö in the Stockholm Archipelago, just 20 minutes from the city centre of Stockholm. Dates: Through Sept. 30. Get tickets.
  • Virginia Woolf: an exhibition inspired by her writings is at Pallant House Gallery​ and features 80 female artists from 1854 to the present. Dates: May 26-Sept. 16. Organized by Tate St. Ives​ with Pallant & The Fitzwilliam Museum, Cambridge​. Pallant House Gallery is located at 9 North Pallant, Chichester, West Sussex, PO19 1TJ.

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Lots of Woolf on the Web these days. Here are a few important sightings gleaned via Twitter links shared by Jane deGay and Maggie Humm.

  • Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence, edited by Elsa Högberg and Amy Bromley, is a collection of 16 original essays offers fresh perspectives on Orlando through a unique attention to Woolf’s sentences.
  • Six Ways Virginia Woolf Pre-Empted Spring’s Key Looks,” by Kaye Fearon in British Vogue, Feb. 21, 2018.
  • Bonnie Greer on Virginia Woolf and the Bloomsbury Group, a podcast discussing the friendships, work and designs behind the artists, coordinated with the Virginia Woolf exhibition at Tate St Ives, 10 February – 29 April 2018. Then view her art walk below.

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This Christmas day, I unwrapped a present from my landlady and, completely unexpectedly, a small purple hardback book with gold lettering and a beautiful portrait of Virginia Woolf fell onto my lap. I was delighted, and proceeded to read it cover to cover amidst wrapping paper and ended up holding back tears to prevent myself being utterly embarrassed in front of my in-laws.

virginia woolf life portraits

© Zena Alkayat and Nina Cosford

Virginia Woolf (Life Portraits) by Zena Alkayat and Nina Cosford poetically weaves the story of Woolf’s life with Alkayat’s considered text and Cosford’s illustrations, a fresh response to the Bloomsbury aesthetic. It opens with the following quote from Mrs Dalloway:

She sliced like a knife through everything; at the same time was on the outside, looking on.

This liminality, both the relation between work and life and Woolf’s psychological flux, is represented thoughtfully throughout the biography.

street haunting in life portrait

© Zena Alkayat and Nina Cosford

Alkayat focuses on the personal details of life: how Vanessa Bell’s sheepdog Gurth accompanied her “street haunting”, how Leonard and Virginia Woolf spent nights during the First World War in their coal cellar sitting on boxes, and that they later named their car “the umbrella”. She also puts us on a first name basis with Virginia, Vanessa and Duncan, et al. – a choice which made me feel closer to their world.

charleston in woolf life portrait

© Nina Cosford

Cosford’s illustrations are both sensitive to the Bloomsbury style and offer a fresh perspective. Her bold lines and patterns used to illustrate the pages about Vanessa Bell’s cover designs for Virginia Woolf’s novels, for example, are edged with mark-making in the mode of Bell. Her use of colour also seems emotive, following the waves of high and low that punctuate the narrative. Her illustrations capture the paraphernalia of every-day life, from the objects atop Woolf’s writing desk – diary, hair grips, photo of Julia, sweets – to the plants in the garden at Monks House, bringing Virginia’s life closer to home.

monks house plants

© Nina Cosford

Illustration and text come together beautifully in this miniature autobiography and would provide any reader with a poetic and surprising escape into the life of Virginia Woolf.

 

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In her essay “On Cookbooks: Collections and Recollection,” Alice Lowe travels through BloomsburyCookbook_title_26523the decades, from her first casseroles to Julia and Jacques, from Betty Crocker to Virginia Woolf.

In it, she shares her love for Woolf and her thoughts on Woolf and food.

Here’s a teaser: “My time in England launched and nurtured my interest in Virginia Woolf; my retirement has enabled my studies and published work on her life and writing. Books by and about Woolf have increased as cookbooks decline. The Bloomsbury Cookbook: Recipes for Life, Love and Art weds literature and artwork by Woolf, her sister Vanessa Bell, and others of the legendary Bloomsbury circle, with anecdotes and stories, recipes and repasts both real and fictional. I haven’t allocated it to a shelf yet—is it a Woolf book or a cookbook?”

Visit Alice’s blog to read the rest.

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Amongst a box filled with stretched canvas and paintings on wood, we re-discovered these fantastic landscapes of the local area. Both painted by Vanessa Bell, the first is of the old Coach Road looking towards Firle Tower on the right. The leaves on the trees appear to be blowing in the wind, the farmland and coach road painted lightly in pinks and purples to represent the human touch on the landscape…

Source: Local Landscapes of Firle | The Charleston Attic

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