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Archive for the ‘Mrs. Dalloway’ Category

Happy 93rd birthday, Mrs. Dalloway! Virginia Woolf’s novel was first published in England by the Hogarth Press and in the United States by Harcourt, Brace & Company on May 14, 1925. Both versions included the same dust jacket designed by Vanessa Bell.

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The details are in for DallowayDay 2018: Woolf, Walking & Writing on Saturday 16 June at the Gower Street Waterstones, four days earlier than the official #DallowayDay of June 20.

Jean Moorcroft Wilson

‘I love walking in London,’ said Mrs. Dalloway. ‘Really it’s better than walking in the country.’

From the Virginia Woolf Society of Great Britain comes this news:

In one of the greatest novels of the 20th century, Virginia Woolf’s Mrs Dalloway, set in June 1923, Clarissa Dalloway loves walking as much as did her creator. So this year’s #DallowayDay takes as its theme ‘Woolf, Walking & Writing’.

Gower Street Waterstones and the Virginia Woolf Society of Great Britain invite you to celebrate #DallowayDay with us in London’s Bloomsbury on Saturday 16 June.We start with an hour’s walk (2–3 p.m.) around Bloomsbury guided by Jean Moorcroft Wilson, author of Virginia Woolf’s London, to places familiar to Virginia Woolf and her friends (please note numbers for the walk are restricted to 25).

The walk ends at Waterstones Gower Street, where we’ll have a panel discussion (3.30–4.30 p.m.) on Woolf, Walking & Writing with authors and special guests.

At 5.30 p.m. we’ll have time for a celebratory glass of wine, then at 6 p.m. Maggie Humm, author of Snapshots of Bloomsbury, will talk about Woolf and photography, illustrated with photographs taken by Woolf and her Bloomsbury friends, starting with images matching up with key moments in Mrs Dalloway.

  • All-event tickets (walk, panel and talk), £24; VWSGB members & students, £18
  • Woolf, Walking & Writing panel, 3.30–4.30 p.m., £8; VWSGB & students, £6
  • Woolf & Photography, by Maggie Humm, 5.30–7.30 p.m. includes glass of wine, £8. VWSGB & students, £6

Bookings are available online http://bit.ly/2FVk5V8 or by phone 020 7636 1577. Please note that online bookings incur an additional fee.

Please note that Wednesday, June 20, has been designated the official #DallowayDay on both sides of the pond this year. Get more details on other #DallowayDay events on the Events page.

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This Christmas day, I unwrapped a present from my landlady and, completely unexpectedly, a small purple hardback book with gold lettering and a beautiful portrait of Virginia Woolf fell onto my lap. I was delighted, and proceeded to read it cover to cover amidst wrapping paper and ended up holding back tears to prevent myself being utterly embarrassed in front of my in-laws.

virginia woolf life portraits

© Zena Alkayat and Nina Cosford

Virginia Woolf (Life Portraits) by Zena Alkayat and Nina Cosford poetically weaves the story of Woolf’s life with Alkayat’s considered text and Cosford’s illustrations, a fresh response to the Bloomsbury aesthetic. It opens with the following quote from Mrs Dalloway:

She sliced like a knife through everything; at the same time was on the outside, looking on.

This liminality, both the relation between work and life and Woolf’s psychological flux, is represented thoughtfully throughout the biography.

street haunting in life portrait

© Zena Alkayat and Nina Cosford

Alkayat focuses on the personal details of life: how Vanessa Bell’s sheepdog Gurth accompanied her “street haunting”, how Leonard and Virginia Woolf spent nights during the First World War in their coal cellar sitting on boxes, and that they later named their car “the umbrella”. She also puts us on a first name basis with Virginia, Vanessa and Duncan, et al. – a choice which made me feel closer to their world.

charleston in woolf life portrait

© Nina Cosford

Cosford’s illustrations are both sensitive to the Bloomsbury style and offer a fresh perspective. Her bold lines and patterns used to illustrate the pages about Vanessa Bell’s cover designs for Virginia Woolf’s novels, for example, are edged with mark-making in the mode of Bell. Her use of colour also seems emotive, following the waves of high and low that punctuate the narrative. Her illustrations capture the paraphernalia of every-day life, from the objects atop Woolf’s writing desk – diary, hair grips, photo of Julia, sweets – to the plants in the garden at Monks House, bringing Virginia’s life closer to home.

monks house plants

© Nina Cosford

Illustration and text come together beautifully in this miniature autobiography and would provide any reader with a poetic and surprising escape into the life of Virginia Woolf.

 

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Halle Mason is the winner of the Angelica Garnett Essay Prize with a paper that focuses on the Gothic, according to the fall issue of the International Virginia Woolf Newsletter.

Her essay, “A Modern Gothic: Septimus Smith Haunts the Streets of Virginia Woolf’s Mrs. Dalloway,” was written for Professor Emily James’s fourth-year course on The Metropolitan Mind at the University of St. Thomas.

Mason will receive $200 and her paper will be published in Issue 92 of the Virginia Woolf Miscellany.

The essay was one of a number of excellent entries for the Garnett prize, but stood out for the readers as “an original, layered, and well informed” engagement with Woolf’s 1925 novel. In particular, the essay was noted for the author’s skilled application of literary terminology and genre theory.

Drawing upon a breadth of knowledge, the author establishes the gothic nature of the “horrors of the everyday” in a postwar context.

Working from “Street Haunting,” she moves to detailed analyses of Mrs. Dalloway, creating a memorable, persuasive, and insightful argument. – IVWS Newsletter

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Whether we celebrate it June 20 or June 13, may we all think of Clarissa and Virginia in London today, as we arrange some flowers of our own, read some Woolf, and take a walk. 

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Earlier this week, Blogging Woolf shared Elaine Showalter’s recommendation that June 13 is Dalloway Day, the day in June when Clarissa walked out to the buy the flowers herself in preparation for her party.

Read more about Mrs. Dalloway’s party paper dolls.

June 20 as Dalloway Day

Now an alternate date — and justification for it — has been shared as a comment on our original post and via the VWoolf Listserv. It comes from Murray Beja.

I might as well cite here some of my evidence for the date of June 20, which seems to me pretty clear cut. As I express it in my edition of Mrs. Dalloway, we explicitly learn that the day of the novel is a Wednesday, and that it is 1923; ?moreover, Clarissa wonders if the ?crush? of traffic is due to Ascot . . . which in 1923 ran from Tuesday, 19 June, to Friday, 22 June . . . . Gold Cup Day, on which the most coveted trophy is contested, falls on the Thursday. The results of cricket matches noted by both Septimus and Peter are those they would have seen in a newspaper for 20 June 1923 . . . .? (I go on to cite the London Times.) See Morris Beja, ed., Virginia Woolf, Mrs. Dalloway (Shakespeare Head Press Edition of Virginia Woolf). Oxford: Basil Blackwell, 1996.

Dalloway Day celebration is June 17 in London

The Virginia Woolf Society of Great Britain, in collaboration with Waterstones, (oh, why not Hatchard’s?) is holding a Dallowday celebration on Saturday, June 17.

 Virginia Woolf Life and London: Bloomsbury and Beyond by Jean Moorcroft Wilson

The event starts at 2:30 p.m. with a guided walk led by Jean Moorcroft Wilson, author of Virginia Woolf’s Life and London: A Guide to Bloomsbury and Beyond. The walk will visit sites relevant to Clarissa Dalloway and Virginia Woolf. It will be followed by a 4 p.m. discussion of Mrs. Dalloway (1925), led by Maggie Humm.

An early evening party with a 1920s theme will top off the day, beginning at 6 p.m. Organizers are hoping that partygoers will turn up in appropriate party wear.

The walk and talk are sold out but party tickets are still available at a cost of £10.

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Was today, June 13, the day that Clarissa Dalloway headed out to buy the flowers herself? Elaine Showalter makes a case for that in The Guardian — and for the idea that Londoners and the rest of us should happily celebrate such a day in honor of Virginia Woolf.

Looking at the 1923 calendar, the critic Harvena Richter noted that 13 June is the most likely date. In his edition of Mrs Dalloway for the Oxford World’s Classics, David Bradshaw, finding a discrepancy in Woolf’s reference to a cricket game on that day, argued that the date of the party is an imaginary rather than a real Wednesday. Academics can argue over this fine point for ever. – Elaine Showalter, “Bring out the cardies and cocktails – it’s time we celebrated Dallowday,” The Guardian, 13 June 2017

 

 

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