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Archive for the ‘Virginia Woolf’ Category

Below is a comment from Elisa Kay Sparks and a link to her review of Woolf Works.

Dear All-
I’ve finished my review/ explication of Woolf Works, the new Wayne MacGregor ballet I was lucky enough to get to see in London.  All the time I was watching it, I was wishing all of you were in the audience with me; this is the best I could do to make that so.  At the end I’ve added links to a lot of the reviews which have photographs of the performance and to a series of videos that show the dancers in rehearsal as well as  conversations among the choreographers, dancers, and dramaturg.

Study Woolf: Review of Woolf Works, Royal Opera House, May 13, 2015.

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I saw the item below on Twitter today. It identified the shot as being “Virginia Woolf’s front porch in full bloom.”

It’s not, of course. The photo really depicts the attached greenhouse at the rear of Monk’s House in Rodmell, Sussex. But it’s a pretty shot nonetheless, so I’m adding it here, with thanks to @maisie_rs for loving Virginia Woolf enough to post it.

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Thanks goes to @louisbarabbas on Twitter for the news about this song based on Virginia Woolf’s Mrs. Dalloway and written especially for Manchester After Hours for the 90th anniversary of the 1925 novel.

Musicians from Debt Records took part in the open recording of the song, which writers Louis Barabbas and Felix Hagan call “something of a tug-of-war between light and dark.” It was recorded in the Henry Watson Music Room at Manchester Central Library on Thursday, May 14, 2015.

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A literary soundtrack inspired by Virginia Woolf’s Mrs. Dalloway from The Paris Review, July 24, 2012.

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Russian film director Daria Darinskaya has made a film trailer for Virginia Woolf’s The Waves, and it was short-listed in a Russian competition that asked film makers to feature their favorite book.

“I’m a film director and I’ve always dreamed to make screening of it, but I didn’t know how, before this contest,” said Darinskaya, who plays Woolf and Rhoda in the trailer.

“It just occurred to me one day – the light suddenly turns off and the six heroes are lost in the darkness with only their flashlights in their smartphones (like the first title of the novel, ‘The Moths’). They are trying to fix the electricity and waiting for their friend Percival. I think The Waves contains the answers for all our life. I wanted to show that the six heroes of The Waves are like us – they’re common people who feel common things, but they just speak with the words from the novel.”

She is planning a full-length film adaptation of The Waves, according to the Virginia Woolf Society of Great Britain’s Facebook page.

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Paula Maggio:

This is a wonderful piece that puts Bloomsbury art in the social, political and cultural context of the 1920s-1930s.

Originally posted on The Charleston Attic:

There was one item in the Gift this week which particularly caught our eye, as it documents two different aspects of Duncan Grant’s life as an artist; his creative style and his status as a member of the British art world.

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CHA-P-1415 Recto: Duncan Grant, drawing, nude woman carrying a basket, ink on paper, 20.1 cm x 14.1 cm. Photograph © The Charleston Trust

On one side of this postcard-sized piece of cream card is an ink drawing of a bare-breasted woman carrying what appears to be a basket of flowers. While there is no annotation or attribution accompanying the drawing, the classical theme and stylised figure suggest that it was made by Grant, possibly as a study for a decorative scheme. For example, it is reminiscent of the figures in Grant and Bell’s large interior painting of 1929 for Penns in the Rocks, the home of the poet, Lady…

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Originally posted on The Charleston Attic:

It is very easy to get lost in imagining the world, people and stories behind the pieces in the Angelica Garnett Gift and this preparatory sketch by Duncan Grant for a mural designed by both Grant and Vanessa Bell is no exception.

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CHA/P/1117, Duncan Grant, Cinderella, coloured pencil on paper, date unknown, 29.5 cm x 23 cm. Photograph © The Charleston Trust

The mural was commissioned by the Council for the Encouragement of Music and the Arts and the British Institute of Adult Education in 1943 for the dining hall of Devonshire Hill School in Tottenham. The design by Grant and Bell depicted the fairytale Cinderella, and was completed during World War II. Sadly, the mural no longer exists, having been dismantled and destroyed during renovation works at the school. Perhaps even more regrettable is that few people are aware that it existed at all. Like many other decorative works…

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