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Archive for the ‘Virginia Woolf’ Category

Erica Delsandro, a visiting assistant professor of women’s and gender studies at Bucknell University, is a Virginia Woolf scholar who specializes in the literature of the interwar period. She teaches a course on “The Literature of Downton Abbey” and was interviewed twice this year by Whitney Chirdon and Lindsey Whissel, hosts of “After Abbey,” a WPSU show.

You can watch both interviews below.

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Here are two wonderful resources shared with the VWoolf Listserv by Karen Levenback, Female Poets of WWIauthor of Virginia Woolf and the Great War (2000).

The first is an online timeline of literature in the context of historical, social and cultural events from 1914-1919.

The second is research conducted by Lucy London, who Levenback describes as “a most helpful woman in England, who is working on women and the Great War.”

London, a poet who trained as a French/English shorthand secretary and worked in London in the media and public relations, is now researching women poets of the Great War around the world.

She describes her project as “a (self-funded) research project that seeks to inform the general public about the First World War through exhibitions of the work and lives of women who wrote poetry at that time.”

Her blog, Female Poets of the Great War, documents her efforts. But she has other blogs as well:

Follow her on Twitter @LucyLondon7, where she posted this thank you after learning that Blogging Woolf was reporting on her efforts:

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Here is the basic information about next year’s Virginia Woolf conference, the 26th Annual International Conference on Virginia Woolf: Woolf and Heritage, which will be held June 16-19, 2016, at Leeds Trinity University in Leeds, England.

26th Woolf conference banner

According to the conference website:

“This conference will investigate how Woolf engaged with heritage, and how she understood and represented it. One strand will look at her experience of the heritage industry, for example: libraries, museums, art galleries, authors’ houses, artists’ houses, stately homes, London’s heritage sites, and tourist sites in Britain and abroad.

“Alternatively, the topic encompasses Woolf’s constructions of heritage, including literary heritage, intellectual heritage, the history of women and the history of lesbians. The conference will also consider ways in which Woolf has been represented and even appropriated by the heritage industry, for example in virtual and physical exhibitions; libraries, archives and collections; plaques, memorials, and statues; and at National Trust or other properties such as Monk’s House and Knole.”

Location: Leeds Trinity University, Brownberrie Lane LS18 5HD, Leeds, England.
Dates: Thursday, June 16 – Sunday, June 19, 2016
Email: Woolf2016@leedstrinity.ac.uk.
Facebook page: https://www.facebook.com/virginiawoolf2016/timeline
Facebook event: https://www.facebook.com/events/385532108295455/

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From Twitter via @CitizenWald came the tweet at the bottom of this post. And because it was about a Virginia Woolf desk, I had to find out more.

It turns out that Virginia Woolf designed this writing desk herself, and it was painted by her nephew Quentin Bell. It certainly doesn’t look like the messy desk in The Lodge at Monk’s House that Annie Leibovitz photographed several years ago.

The desk Woolf designed was just one artifact acquired as part of one of the largest and most significant private collections on women’s history by the David M. Rubenstein Rare Book & Manuscript Library at Duke University.

The collection, assembled over a period of 45 years by noted collector Lisa Unger Baskin, includes the work of women from the Renaissance to the modern era. More than 8,600 rare books and thousands of manuscripts, journals, ephemera and artifacts are in the Lisa Unger Baskin Collection at Duke.

Materials from the collection will be available to researchers once they have been cataloged. Some items will be on display in the renovated Rubenstein Library when it reopens to the public at the end of August 2015.

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Charleston AtticOh, the lovely connections we make in the world of Woolf. This time, the connection gives us all a behind-the-scenes look at Charleston, the Sussex site known as Bloomsbury in the country.

Alice Purkiss, a curatorial trainee at The Charleston Trust, contacted Blogging Woolf via a Facebook message last week to ask that we help publicize The Charleston Attic. The blog was created by Purkiss and fellow trainee Dorian Knight, who just left the project. His replacement at Charleston is Samantha Wilson.

CharlestonIn existence one year,The Charleston Attic shares the trainees’ research at the former home of Vanessa Bell and her family and includes discussions of Woolf and her works. According to the blog, it “is a record of our work cataloguing, researching and interpreting the Angelica Garnett Gift from the Charleston attic – overlooked by a bust of Virginia Woolf.”

Recent posts of particular interest to Woolfians include:

The curatorial trainee project with the Charleston Trust provides for six-month training periods for a dozen trainees over three years.

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Hatchard's

Hatchard’s on Piccadilly

Have any of you taught a course on Woolf in London? That question from Jane Garrity of the University of Colorado at Boulder prompted a discussion on the VWoolf Listserv that elicited plenty of ideas this week.

What follows is a compilation of some of the suggestions and experiences shared by members of the list.

I also recommend taking a look at In Her Steps on this site. On that page, I share some of my experiences when I took a class called “England in the Steps of Virginia Woolf,” along with additional travel information and links.

Touring Woolf’s England

London Sign PostEliza Kay Sparks, a retired professor from Clemson University, took a group of five young women to England for two weeks and shared the trip itinerary and details with list members, as well as on her blog, Blooming Woolf.

Anne Fernald of Fordham University shared her proposal for a class abroad centered on Transatlantic Women Modernists, including her list of proposed field trips and her rationale for including them on the itinerary.

Suzette Henke of the University of Louisville taught a two-week Modern British Literature course in London in May 2011 that included a significant Woolf component. She said teaching a Woolf class in London is “quite a memorable teaching experience, as the whole of London is a giant classroom.”

Jeanette McVicker of the State University of New York at Fredonia taught a course called Literary London: Seminar on Virginia Woolf in 2011. She taught it in tandem with a colleague’s course on contemporary British women writers, titled Women Writing London. She has shared both her course syllabus and the trip iinerary that includes readings matched with excursions. Although the Women’s LIbrary included in the itinerary is no longer in existence, McVicker said one can request special access to the Museum of London’s archive, which has a wealth of material on the suffrage movement as well as holdings of Woolf-related work.

Getting started

River ThamesSparks recommended starting with a Big Bus tour around London on the first day to orient everyone to the city “and keep them awake and absorbing light rays without requiring a lot of physical exertion.” Henke suggested an afternoon boat trip on the River Thames, “illustrated by passages from Woolf’s diaries describing her thoughts about the Tower of London.”

And while there is plenty to do in Woolf’s city of origin — and students can chase down locations from Night and Day, if they’ve read it — Sparks recommends giving students one free day to explore on their own.

London sites

  • Houses and parks, including Carlyle’s House, 22 Hyde Park Gate, Kensington Big BenGardens and Chelsea
  • Mrs. Dalloway walk, which according to Fernald will allow students to “hear Big Ben’s chime, sit in Regent’s Park, walk through Bloomsbury, and
    past the Cenotaph,” and window shop at Hatchard’s bookstore, thereby giving “students a powerful flavor of the book’s geography.”
  • The London Scene walk to places mentioned in the essays can, according to McVickers, be “bolstered by exhibits and archives at Museums of London (the special collections person there is superb and generous) and Docklands.”
  • Bloomsbury
  • British Library, an important stop according to Fernald because “Woolf and many other writers of the period composed their works and researched in the Reading Room of the old British Library, now preserved as an exhibit within the British Museum.” Henke agreed that an afternoon’s field trip to the British Library and its special collections is a “must.”
  • British Museum
  • National Gallery, where Sparks recommends finding Virginia as Clio in Boris Anrep’s mosaics.
  • National Portrait Gallery, where you can visit the top floor tea room with “an utterly glorious view over Charing Cross,” according to Sparks.The London Scene
  • Richmond and Kew
  • Hampton Court
  • Persephone Books,  Nicola Beauman’s small press in Bloomsbury that is dedicated to republishing popular fiction from the period and is located in a building that was once the grocery store where Leonard and Virginia Woolf shopped. Fernald called it “a tribute to the combination of art and commerce that was central to
    Bloomsbury,” “a feminist institution today,” and a living memorial to the [Modernist] period.
  • Lincoln’s Inn will give students a good connection to The Years, according to McVicker.
  • King’s College, London, where Anna Snaith has done “path-breaking archival research showing the extent of Virginia Woolf’s university-level education,” according to Fernald.
  • Cabinet War Rooms and Imperial War Museum, which Fernald described as “invaluable to understanding the context of war in this period and women’s roles in both wars.
  • Sparks’ group also paid a visit to Cecil Woolf and Jean Moorcroft Wilson.

Beyond London

  • Cambridge, where you should be sure not to miss the turn to Newnham, said Sparks.
  • Oxford, for a connection to A Room of One’s Own, said McVicker.
  • Sussex, including Monk’s House and Charleston Farmhouse. Sparks recommends chartering a bus for those. Fernald
    Charleston

    Charleston Farmhouse

    said a visit to these sites is important because Charleston is “full of valuable post-impressionist paintings by Bell and her contemporaries” and a “visit to these sites would give students a flavor of the city-and-country split that was central to Woolf. Henke’s experience with her class bore this out. As she wrote: “Our very best field trip was a Saturday excursion to Charleston and Monk’s House. We found that the most convenient and economical way to get to Charleston by public transport was by taking a train from Victoria Station to Lewes, then hiring taxis to Charleston. We were able to book a private tour of Charleston at noon, prior to the public entry to the property. Because of a special festival, we caught a bus to Monk’s House, then got taxis back to Lewes. Really a fabulous day!”

  • Knole House in Kent, which gives you “Orlando at every turn,” said Sparks.
  • St. Ives in Cornwall, which Sparks described as the “highlight of the trip” and “SO worth the long train ride, which they
    Godrevy Lighthouse

    A boat ride from St. Ives to Godrevy Lighthouse as part of the Virginia Woolf class I took in June 2004.

    totally enjoyed as a great way to get a sense of British scenery.” While there, she recommends renting a boat to go out to Godrevy Lighthouse. Andre Gerard, publisher of Patremoir Press, suggested adding Tren Crom Hill, just outside of St. Ives, to the itinerary. “The landscape is little altered since Virginia’s day, and you can easily imagine her and her siblings walking and running in it,” he wrote. Woolf also described the site in “A Sketch of the Past.”

  • Hampstead, where you can see Keat’s house, which Woolf visited, along with Katherine Mansfield’s “The Eyebrows.” According to Sparks, “The views of the city are spectacular, and I rode back on top of a bus, a long ride, but gave me such a flavor of London.”

Reading list

Links to Woolf courses

Links to sites

The regular Sunday walk was to Trick Robin or, as father liked to call it, Tren Crom.  From the top, one could see the two seas; St. Michael’s Mount on one side; the Lighthouse on the other. Like all Cornish hills, it was scattered with blocks of granit; said some of them to be old tombs and altars; in some, holes were driven, as if for gate posts. Others were piled up rocks.  The Loggan rock was on top of Tren Crom; we would set it rocking; and be told that perhaps the hollow in the rough lichened surface was for the victim’s blood. But father, with his sever love of truth, disbelieved it; he said, in his opinion, this was no genuine Loggan rock; but the natural disposition of ordinary rocks. Little paths led up to the hill between heather and ling; and our knees were pricked by the gorse the blazing yellow gorse with its sweet nutty smell. – Virginia Woolf, “A Sketch of the Past”

Revised April 17, 2015
Revised April 20, 2015
Revised April 22, 2015

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Here is news of two Virginia Woolf events in England.

Orlando DVD

Orlando DVD

The first is a free lecture by Dr Theodore Koulouris of the University of Brighton titled “Virginia Woolf and Sussex” and will be held at Towner Gallery in Eastbourne on Wednesday, May 13, at 2.30 p.m. An online booking is required.

The talk is part of the Sussex Modernism Lecture Series of four free lectures and is presented by the Centre for Modernist Studies at the University of Sussex. In this series, academics from the Universities of Sussex and Brighton explore the influence of Sussex on the development of British Modernism and the influence of modernism on Sussex, since many of the leading writers, artists, composers, architects and patrons of British Modernism lived in Sussex at key moments of their lives.

The second is a showing of Sally Potter’s eponymous adaptation of Woolf’s novel Orlando that is scheduled for May 16 at 3 p.m. at the same location.

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