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A new Woolf zine in town

There’s a new Woolf zine in town. And it’s apparently called Woolf Zine.

A tweet brought the publication to Blogging Woolf’s attention and drove me to its website. There I learned that the publication “aims to inspire new thinking around Virginia Woolf, through bringing together academic, creative and non-traditional responses to her work and life.”

The zine is looking for illustrations, articles, arguments, creative work, narratives, poems, questions, queries, collages, short essays, stories, case studies, fan fiction and more to fill its first issue, due to be published Dec. 1.

The zine will be hand printed and distributed to universities across the UK and America. Those who contribute will also get a free download link so they can print one at home.

Susan Sellers

Susan Sellers

The Eighteenth Annual Virginia Woolf Birthday Lecture, “Woolf and the Essay” by Susan Sellers, Professor of English and Related Literature, St Andrews University, and General Editor of the Cambridge University Press Edition of  the Works of Virginia Woolf, will be held at 2 p.m., Saturday 28 January 2017 at the Senate House, University of London, Malet Street, London WC1E 7HU. See map and directions.

The lecture is sponsored by the Virginia Woolf Society of Great Britain. The cost is £15 for Society Members and £20 for non-members. The event includes a wine reception following the lecture and a copy of the lecture when printed.  Bookings are available via the Institute of English Studies website.

Literature Cambridge will hold two immersive summer courses on Virginia Woolf in July 2017 at A Room of One's OwnHomerton College, Cambridge. Each will include lectures, supervisions, and excursions.

Woolf’s Rooms

Woolf’’s Rooms will be held Sunday 16 July to Friday 21 July 2017. This five days of immersion in Woolf will include lectures by Gillian Beer, Jane Potter, Alison Hennegan, Trudi Tate, and Claire Nicholson.

Works to be studied include A Room of One’s Own, Jacob’s Room, The Waves, To the Lighthouse, and Between the Acts. We will spend a day on each book with a lecture and supervision, with further opportunities for participants to discuss the works with fellow students, visit places important to Woolf, and do more reading on your own.

Reading Bloomsbury

Reading Bloomsbury will be held Sunday 23 July to Friday 28 July 2017. Lectures
on Vanessa Bell, Virginia Woolf, Maynard Keynes, Lytton Strachey, and Leonard Woolf will be given by Frances Spalding, Alison Hennegan, Trudi Tate, Claudia Tobin (tbc) and Claire Nicholson.

The course will include lectures, supervisions, and excursions, such as a trip to Bloomsbury with an expert guide and a visit to the lovely Orchard Tea Room at Grantchester.

More about the courses

Courses start early Sunday evening, so students are advised to arrive in Cambridge by early afternoon. The courses finish late Friday evening with a formal dinner. Departure is Saturday morning.

The courses aim to complement one another without overlapping. Students are welcome to enroll for either or both. They are advised to book early if they wish to attend both courses and require Homerton accommodation for the Saturday night between the two courses.

Early booking

A discounted price is available up to 16 December 2016. After that date, members of the Virginia Woolf Society of Great Britain can still get a special discount.

For more information and links for booking visit Literature Cambridge website or Facebook page. Questions: Email info@literaturecambridge.co.uk

Virginia Woolf sighting in Venice

Chiara Ferretti, an Italian fan of Virginia Woolf, sent Blogging Woolf this photo of a Woolf sighting she made in Venice. She found the Woolf poster at the Calle del Perdon, San Polo.

Woolf herself visited Venice three times — in 1904 with her family, in 1912 on her honeymoon with Leonard, and in 1932 with Leonard, Roger Fry and Margery Fry. On her 1904 trip, she stayed at the Grand Hotel on the Grand Canal.

On the occasion of her first visit, she wrote this in a 4 April 1904 letter to Violet Dickinson:

There never was such an amusing and beautiful place. We have a room here right at the top just at the side of the Grand Canal . . I can’t believe it is a real place yet and I wander about open-mouthed

For more on Woolf’s travels, visit In Her Steps and check out Travels with Virginia Woolf (1993) by Jan Morris.

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This I believe. And I voted for Hillary.

As a woman

Anne Carson ponders Bloomsbury

I don’t read a lot of poetry, but I am partial to the work of Anne Carson and Mary Oliver (and oftencoverstory-blitt-significant-others-847x1200-1477066235 confuse the two). It’s no surprise that both have referenced Virginia Woolf in their poems, no doubt recognizing her as the poet she was even though she never wrote a line of verse as such.

Anne Carson has written very little prose, so her story in this week’s (Oct. 31) New Yorker is a lovely gift. “Back the Way You Went” is exquisite, a tiny gem, as it questions so many aspects of existence in a daughter’s reflections on her mother.

The narrator comments on a dishtowel she’s given her mother-in-law, “printed with cartoon cameos of Bloomsbury celebrities.” She’s thinking about her flawed communication with her own mother, recently deceased, their fear of breaking the silence that’s built up between them. She asks herself, “Are other families like this? I know I’m setting the bar high, but I cannot imagine it was ever the wrong time to talk in, say, Bloomsbury.” And yet Woolf may have seen it otherwise; Carson’s narrator goes on to recall a passage from “A Sketch of the Past”:

“We are sealed vessels afloat upon what is convenient to call reality; at some moments, without a reason, without an effort, the sealing matter cracks; in floods reality….”

She asks, “Was it Virginia Woolf who taught us to adore these floods of reality, without which we merely navigate a sea of convenience with other people?”

Even without Woolf, the story is stunning; with her it’s even more so, and, as always seems to be the case when Woolf is referenced in fiction, so appropriate, leading this Woolfian to think, “Well, yes, of course.”

Prompted by a collection of drawings and sketches found inside a thin blue cardboard folder labelled ‘Berwick Church’ (CHA/P/603), this week’s blog article examines some of Duncan Grant’s pre…

Source: Berwick Church murals – preliminary sketches by Duncan Grant

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