Feeds:
Posts
Comments

Posts Tagged ‘A Room of One’s Own’

A Room of One’s Own. We have read it. We have discussed it. We have been inspired by it. But today 23 of us got an up-close view of Virginia Woolf’s original draft manuscript for the book. Now you can, too, thanks to Leonard Wool and the Fitzwilliam Museum.

At the Fitzwilliam

Leonard Woolf donated a large piece of the manuscript to the Fitzwilliam Museum in Cambridge in 1942, after the museum’s director requested that Leonard give the institution something related to Virginia’s work. But because it was wartime, the manuscript lay neglected for nearly 50 years.

Titled “Women & Fiction,” it is the first draft of the book Woolf would eventually call A Room of One’s Own, and it has two other connections with Cambridge. The book had its origins in two talks on women and fiction that Woolf gave at Newnham and Girton Colleges in Cambridge in October 1928. And a lunch Woolf ate in Dadie Rylands’ room at King’s College inspired the luncheon scene in the first chapter of the book.

Background of the manuscript

Our visit to the Fitzwilliam to view Woolf’s manuscript was today’s outing for the Literature Cambridge course on Virginia Woolf’s Gardens. Dr. Trudi Tate, director of the course, shared some of the book’s background.

Dr. Trudi Tate

”Woolf worked incredibly quickly on this book, so fast, in fact, that she found it difficult to read her own handwriting when she had to type it up,” Tate said.

”As Beth Daugherty tells us, she wrote a huge amount of the book in two months, March and April 1929. She began to create the book in her mind when she was lying in bed, recovering from illness. She drafted it rapidly, in ‘one of my excited outbursts of composition’ (Diary 3, 218-19),” Tate explained.

Significance of the manuscript

The manuscript’s significance as the working draft for A Room of One’s Own was not recognised by scholars until the 1990s, according to the Fitzwilliam’s website.

At that time, S.P. Rosenbaum published a full transcription (1992). In his introduction, he gives details of Woolf’s lectures at the Cambridge colleges and traces the text’s evolution — from talks to magazine article to feminist polemic in book form.

The 20 pages from chapter three of the manuscript that are not part of the Fitzwilliam document are preserved separately in the Monks House Papers at the University of Sussex.

Creative process of the book

Tate detailed how Woolf’s writing process for Room included several stage of creation:

  1. the lectures, including the “Women & Fiction” essay and the “Women in Fiction” draft viewed at the Fitzwilliam
  2. A Room of One’s Own typescript
  3. A proof copy of the book
  4. The first published edition of the book, published by the Hogarth Press in Britain and Harcourt Brace in the U.S. in 1929.

Digitized version available online

The digitised version of the manuscript that was once on display at the Fitzwilliam as part of the museum’s past exhibition “Virginia Woolf: an exhibition inspired by her writings” is available online. View the entire manuscript on the Fitzwilliam Museum website.

A side view of Virginia Woolf’s manuscript of “Women & Fiction,” which was the first draft of “A Room of One’s Own.”

The cover of Woolf’s draft manuscript for “Women & Fiction”

Page one of the manuscript, with Woolf’s own edits. Note: This page is the same color as the others but the lighting makes it look lighter.

Page seven of the manuscript with Woolf’s edits and margin notes

Page 12 of the manuscript

Each student in the Literature Cambridge course Virginia Woolf’s Gardens was able to view the manuscript up close and take photos of it.

After learning about the manuscript and viewing it, the students in the Literature Cambridge course from countries including Japan, Italy, Germany, Spain, Belgium, the Netherlands, India, the UK, and the U.S., took turns reading the first chapter of “A Room of One’s Own” aloud.

Some of the 23 students in the Literature Cambridge course on Virginia Woolf’s Gardens

Read Full Post »

King’s College, Cambridge

It’s day two of the Literature Cambridge course Virginia Woolf’s Gardens, and we spent two hours touring the gardens of King’s College, Cambridge. Then came the best part of all. We saw the window of a room that was the setting for a scene in Woolf’s A Room of One’s Own.

Not a room of her own

That important part of our tour came at the end, as we got a look at the second floor window of the room overlooking the college green where, our guide told us, Woolf wrote the first chapter of A Room of One’s Own (1929). Later, Trudi Tate, director of Literature Cambridge, corrected that statement. Instead, she told us, the room was the setting for the well-appointed lunch Woolf describes in the first chapter of Room.

The room, of course, was not her own, but was the quarters of Dadie Rylands. Women were not admitted to King’s until 1972, so they obtained their degrees at the University of Cambridge’s two women’s colleges, Newnham, founded in 1869, and Girton, founded in 1871.

We were not able to visit the actual room that helped inspire Woolf, as it is now the accounting office for the college. Ironically, it was off limits to Woolf pilgrims, we who revere her feminist polemic about the ways the patriarchy limits women. I do admit that our group of more than two dozen would have crowded such small quarters.

Bloomsbury paintings in the hundreds

However, after viewing the Provost’s Garden, we were taken inside the nearby Provost’s Lodge. There, we were shown two first-floor rooms hung with original paintings by Bloomsbury artists Vanessa Bell, Duncan Grant, Roger Fry, and Dora Carrington.

I took plenty of photos of the paintings we saw, but publication of them — even on the internet — is not permitted without permission, and we did not want to trouble our gracious guide to obtain that.

As it turns out, hundreds of paintings by Grant and Bell are hung around the college, many of them donated by Maynard Keynes. A catalogue of the Bloomsbury art is in the works, but it will be several years before it is ready. We were told that it may be available in digital format.

Corrected and updated: 17 July 2019

Virginia Woolf wrote the first chapter of “A Room of One’s Own” in Dadie Rylands’ room at King’s College, Cambridge, which was behind the second floor window shown here.

This was part of the view Woolf would have seen from Dadie Rylands’ room at King’s College, Cambridge, where she wrote the first chapter of “A Room of One’s Own.” As our guide told us, the buildings, the lawn, and the gardens have changed little since Woolf’s day.

Woolf mentions undergraduates punting on the river in “A Room of One’s Own.” They, and tourists, still do that today on the River Cam located just beyond the lawn pictured above.

In the Provost’s Garden at King’s College, Cambridge, a private place we viewed on our tour.

A flower bed in the Provost’s Garden, with a pot of colorful sweet peas growing up a trellis.

Giant magnolias from the U.S. frame a doorway in the Provost’s Garden.

Sun-kissed floral closeup in the Provost’s Garden.

The Wine Room in the Provost’s Lodge is filled with paintings by members of the Bloomsbury Group. It is often used now as a seminar room. The 23 students in our group snapped lots of photos of the art.

Read Full Post »

To mark the 90th anniversary of the first publication of Virginia Woolf’s A Room of One’s Own, Malvern Garden Buildings has created  a writing retreat inspired by Woolf’s writing lodge at Monk’s House in Rodmell for the RHS Chelsea Flower Show, which runs through May 25.

VW's writing Lodge

Virginia Woolf’s writing lodge at Monk’s House

The shed, which was created with the help of the Virginia Woolf Society of Great Britain and Monk’s House, was unveiled by Woolf’s great-niece Cressida Bell on Press Day, May 20.

It is painted a dove grey color and features double French doors opening onto a deck, as does the Monk’s House Lodge.

Inside, the lodge is furnished with a desk in the spirit of Woolf, an armchair with a tray, and a bookcase filled with a set of volumes covered in marbled paper — as was Woolf’s Shakespeare collection. Completing the look are writing paraphernalia and other objects from the 1920s and 1930s.

Once you view Malvern’s creation, I guarantee you will want one for your own back garden. I know I do.

Read more about the project and view photos as well.

A screenshot of the Malvern Garden Buildings Facebook post, as shared by the Virginia Woolf Society of Great Britain.

Read Full Post »

I made the leap. I signed up to attend the Literature Cambridge course Virginia Woolf’s Gardens this summer at Wolfson College, University of Cambridge.

Along with others, I will be there July 14-19 learning about the importance of gardens to Woolf’s life and work, from her early story “Kew Gardens” (1917) to her last novel, Between the Acts (1941).

Other course readings include Jacob’s Room (1922), Mrs. Dalloway (1925), To the Lighthouse (1927), Orlando (1928) and A Room of One’s Own (1929).

Daily schedule

Each day starts with a lecture presented by a leading scholar. A seminar or a Cambridge-style one-hour supervision (tutorial) for students in groups of three or four follows, taught by lecturers and post-docs from the University of Cambridge to discuss the topic of the day, looking closely at that day’s text.

Lecturers include Suzanne Raitt, Gillian Beer, Alison Hennegan, Clare Walker Gore, Karina Jakubowicz, Oliver Goldstein, Trudi Tate, Kabe Wilson and Caroline Holmes.

Manuscript, excursions, and more

We will also get to view the manuscript of A Room of One’s Own held in Cambridge.

When the course ends, I’ll head out on two excursions — to Monk’s House and Charleston. I visited both sites in 2004 but am eager to go again.

Virginia Woolf’s writing Lodge at Monk’s House

We’ll also have time to explore Cambridge on our own, go punting, discuss literature with other students, and reflect, the website tells us.

Listen to Caroline Zoob’s podcast

Hear Caroline Zoob, author of Virginia Woolf’s Garden, interviewed by Literature Cambridge lecturer Karina Jukubowicz.

Spots available

There is still space available in the course. You can get more information and book online.

‘Everything tended to set itself in a garden where there was none of this gloom.’
– To the Lighthouse.

Read Full Post »

Virginia Woolf’s A Room of One’s Own has inspired a two-story bronze sculpture, “Beyond Thinking,” which apparently has a double meaning and is prompting discussion on social media and beyond.

It will be unveiled at Newnham College, Cambridge, on the 70th anniversary of the first degree ceremony for its female graduates, held in 1948.

Positioned at the entrance to the College’s new Dorothy Garrod building, named after the pioneering archeologist, the sculpture is the first thing that students and visitors will see.

Artist Cathy de Monchaux commissioned artwork inspired by Virgina Woolf’s ‘A Room of One’s own’ at Newnham College, Cambridge photographed by Alun Callender.

Former Turner Prize nominee Cathy de Monchaux, who is known for using vulvas in her work, created the piece, which stands out in relief from a wall and repeats an intricate motif. It is one that — depending upon the viewer — can be seen as a vulva or an open book.

While The Guardian reported that the sculpture depicts the female vulva, the college says it depicts a tower of books.

Two views

The sculpture is “standing out in relief from a wall . . . [and] repeats an intricate genital motif which can also be seen as an open book, the pages lined with the branches of a tree of knowledge,” writes The Guardian.

The sculpture “shows a vertical column of open books set into the fabric of the building. Instead of words, a vine-like structure is embedded in the pages. The spine of each open book holds a female figure gazing out at the world,” says the college news release.

Take the poll

You can decide for yourself by viewing additional photos and taking the online poll available on this CambridgshireLive post.

A Room of One’s Own (1929) was based on a talk Woolf gave to the female students of Newnham and Girton Colleges, Cambridge, in 1928.

https://platform.twitter.com/widgets.js

Read Full Post »

A digital version of the original manuscript of Virginia Woolf’s groundbreaking polemic A Room of One’s Own (1928) is now online, thanks to the Fitzwilliam Museum in Cambridge, which is hosting the last stop on the tour of an exhibition that celebrates Woolf’s writing and art.

According to the BBC, curator Suzanne Reynolds calls Room, “one of the founding texts of 20th Century feminist thought.”

The free exhibition is titled “Virginia Woolf: An Exhibition Inspired by Her Writings,” opens tomorrow at the Fitzwilliam and runs through Dec. 9. It celebrates Woolf’s writing while showcasing the works of more than 80 artists on the themes of female identity, domesticity and landscape.

Cambridge is the third and final stop of the exhibition, which has traced a path of Woolf’s life from the Tate St Ives in Cornwall to Pallant House in Sussex.

 

Read Full Post »

The results are in. The winning quote in the Virginia Woolf Society of Great Britain’s query posted on its Facebook page is:

“Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.” – A Room of One’s Own

You can read all four of the quotes short-listed for the competition, which was held in celebration of #DallowayDay. The VWSGB says it will hold a similar vote to celebrate #DallowayDay next year.

Read Full Post »

Older Posts »

%d bloggers like this: