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Posts Tagged ‘Bloomsbury Group’

Anne Olivier Bell, art scholar, Bloomsbury matriarch, widow of Virginia Woolf’s nephew Quentin, and editor of her diaries, died yesterday at the age of 102.

Bell also helped Quentin pen his 1972 biography of his aunt and the two were instrumental in saving Charleston Farmhouse, preserving it for future generations of Bloomsbury scholars and fans.

In addition, she was known for playing an instrumental role in saving European art from the Nazis during World  II, serving in the Monuments Men effort.

As a result of her marriage to Quentin, Olivier moved into the heartland of the Bloomsbury milieu and, having inherited its values, became one of the most vigorous (and vigilant) guardians and promoters of the Bloomsbury revival. – “Anne Olivier Bell obituary,” The Guardian, July 19, 2018.

Read The Guardian obituary.

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I’m accustomed to drinking in Virginia Woolf. I imbibe her words and her wisdom on a regular basis. But last night I drank her in from a cocktail glass.

The Bloomsbury Club Bar in the Bloomsbury Hotel on London’s Great Russell Street features cocktails named after members of the Bloomsbury Group — from Virginia to Leonard to Vanessa and more.

After Frida Kahlo

After a day viewing the amazing Frida Kahlo exhibit, “Making Herself Up” at the Victoria and Albert Museum, Lois Gilmore and I headed to the hotel’s celebrated bar for a Bloomsbury cocktail. She chose Lytton Strachey. I chose Virginia, a yummy mix of gin, lemon, raspberry shrub, Cocchi Americano and egg white.

The Sitting Room in the Bloomsbury Hotel

First, though, we stopped to warm up in The Sitting Room, a cozy first-floor lounge with a welcoming fireplace, walls hung with portraits of Bloomsbury Group members, and a copy of Frances Partridge’s book, The Bloomsbury Group, prominently placed on the fireside coffee table.

Suggestions to hotel management: Identify the subjects and artists of the reproductions on your walls. Even two Woolf scholars were kept guessing at a few. And provide a safe, child-friendly lounge for your guests with youngsters. A room with an open gas fire whose name — The Sitting Room — promises a relaxed adult retreat is not quite the place for noisy toddlers who don’t sit still for long and their bulky strollers.

At the Dalloway Terrace

Last year I had lunch at the hotel’s Dalloway Terrace, which pays homage to Woolf and her 1925 novel specifically. Its outdoor venue is charming and the food delicious — although I can’t remember what I ordered beyond my dessert, a delectable hot chocolate mousse.

However, Blogging Woolf contributor Kaylee Baucom wrote a detailed review of her trips to the restaurant a year earlier.

Both venues at the Bloomsbury Hotel are worth a trip for Woolf fans. You can decide for yourself whether you want to go back for more. Kaylee votes yes. I say move on to new adventures.

Looking down on the Dalloway Terrace

Desserts at the Dalloway Terrace, including a hot chocolate mousse.

 

Virginia Woolf looks over the Dalloway Terrace menu that pays homage to her most famous character, Mrs. Dalloway.

Warm woolen blankets kill the chill of a crisp London night on the Dalloway Terrace.

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  • Bloomsbury Spirit is the first exhibition in Sweden of the art and home decor of the Bloomsbury Group, including a recreation of Charleston. It takes place at Artipelag, set on Värmdö in the Stockholm Archipelago, just 20 minutes from the city centre of Stockholm. Dates: Through Sept. 30. Get tickets.
  • Virginia Woolf: an exhibition inspired by her writings is at Pallant House Gallery​ and features 80 female artists from 1854 to the present. Dates: May 26-Sept. 16. Organized by Tate St. Ives​ with Pallant & The Fitzwilliam Museum, Cambridge​. Pallant House Gallery is located at 9 North Pallant, Chichester, West Sussex, PO19 1TJ.

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Lots of Woolf on the Web these days. Here are a few important sightings gleaned via Twitter links shared by Jane deGay and Maggie Humm.

  • Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence, edited by Elsa Högberg and Amy Bromley, is a collection of 16 original essays offers fresh perspectives on Orlando through a unique attention to Woolf’s sentences.
  • Six Ways Virginia Woolf Pre-Empted Spring’s Key Looks,” by Kaye Fearon in British Vogue, Feb. 21, 2018.
  • Bonnie Greer on Virginia Woolf and the Bloomsbury Group, a podcast discussing the friendships, work and designs behind the artists, coordinated with the Virginia Woolf exhibition at Tate St Ives, 10 February – 29 April 2018. Then view her art walk below.

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Literature Cambridge is offering a Reading Bloomsbury summer course, 23-28 July 2017, in Cambridge, England

This one-week immersion in the art of Vanessa Bell alongside Virginia Woolf’s Mrs Dalloway, the sexual politics of Lytton Strachey and E.M. Forster, and the political ideas of J.M. Keynes, Leonard Woolf, Clive Bell, and others. The course takes an exciting new look at these interesting thinkers and their work.

Lecturers include Frances Spalding, Alison Hennegan, Claire Nicholson, Claudia Tobin and Peter Jones.

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London’s Dulwich Picture Gallery will present the first major monographic exhibition of work by Vanessa Bell (1879-1961), Feb. 8 – June 4, 2017.

NPG 5933. Virginia Woolf (née Stephen) by Vanessa Bell (née Stephen), 1912. Oil on board, 15 3⁄4 x 13 3⁄8 inches (400 x 340 mm). National Portrait Gallery, London

NPG 5933. Virginia Woolf (née Stephen) by Vanessa Bell (née Stephen), 1912. Oil on board, 15 3⁄4 x 13 3⁄8 inches (400 x 340 mm). National Portrait Gallery, London

Widely acclaimed as a central figure of the Bloomsbury Group, Bell also stands on her own as a pivotal player in 20th century British art, inventing a new language of visual expression according to the gallery’s media release.

Arranged thematically, the exhibition will reveal Bell’s pioneering work in the genres of portraiture, still life and landscape and will explore her fluid movement between the fine and applied arts. It will focus attention on her most distinctive period of experimentation in the 1910s.

Approximately 100 oil paintings as well as fabrics, works on paper, photographs and related archival material will deliver Bell in full force, boldly experimenting with abstraction, colour and form while developing her own distinctive way of seeing the world.

A class, Vanessa Bell: Portraiture, will also be held for ages 15-18 in conjunction with the exhibit. It is scheduled for Tuesdays, Feb. 28 through March 28.

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Interns at Charleston blog regularly. Here is their latest post, discussing their discovery of several items in the archives that indicate an interest on the part of Bloomsbury in Matisse and his career.

In August, the curatorial team began cataloguing the larger works on paper and canvas of the Angelica Garnett Gift. The discovery of a dynamic pencil drawing depicting four frantically moving figur…

Source: Duncan Grant and Henri Matisse | The Charleston Attic

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