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Posts Tagged ‘Bloomsbury Heritage Series’

Each year at the Annual International Conference on Virginia Woolf, Cecil Woolf Publishers Bloomsbury Heritage monographsintroduces several new monographs in its Bloomsbury Heritage series. Here’s what’s new on the shelf this year:

  • Jakubowicz, Karina. Garsington Manor and the Bloomsbury Group. No. 77. ISBN 978-1-907286-48-3. Price £10
  • Maggio, Paula. Virginia Woolf, Vanessa Bell and the Great War, Seeing Peace Through an Open Window: Art, Domesticity & the Great War. No. 78. ISBN 978-1-907286-49-0. Price £10
  • Newman, Hilary. Virginia Woolf and Dorothy Richardson: Contemporary Writers. No. 79. ISBN 978-1-907286-50-6. Price £10
  • Twinn, Frances. Leslie Stephen and His Sunday Tramps. No. 80. ISBN 978-1-907286-51-3. Price £10

You can view the full list of monographs available in the Bloomsbury Heritage Series and the War Poets Series.

To order one or more of the volumes, contact:

cecil woolf publishersCecil Woolf Publishers
1 Mornington Place
London NW1 7RP, UK
Tel: 020 7387 2394 or +44 (0)20 7387 2394 from outside the UK
cecilwoolf@gmail.com
 

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I first met Cecil Woolf in 2007. I was attending my first Virginia Woolf conference, the seventeenth annual conference held at Miami University in Oxford, Ohio.

I, of course, was in awe. He, of course, was friendly, gracious, and encouraging. If I hadn’t known it already, I would not have imagined he was someone “important.” He was just so genuine and down to earth.

Since then, we have become friends, corresponding by snail mail and email and meeting at Woolf conferences. He sends me books. I send him cards. He gives me chocolates. I give him manuscripts.

For a long time, I have imagined coming to London and walking around Virginia’s favorite city with her nephew, the son of her husband Leonard’s youngest brother. Today my imagined day of “street haunting” became reality. Cecil and I spent seven hours exploring Bloomsbury together, with a stop for lunch and another for tea as we walked nearly six miles, according to my helpful but intrusive phone app.

As you can imagine, the conversation with this witty, insightful, and well-read man never flagged — and neither did his energy on this fine June day in London.

Here are some photos from the day. I only wish I could share the conversation as easily.

Cecil and I on a bench in Tavistock Square garden. Virginia and Leonard lived at 52 Tavistock Square from 1924-1939.

Cecil Woolf and I share a bench in Tavistock Square garden. Virginia and Leonard lived at 52 Tavistock Square from 1924-1939. Cecil remembers them sharing a bottle of wine while sitting at a table in the garden.

Cecil Woolf with the bust of Virginia Woolf located in Tavistock Square garden, dedicated in 2004.

Cecil Woolf with the bust of Virginia Woolf located in Tavistock Square garden, dedicated in 2004.

Cecil Woolf planted this Gingko biloba tree in Tavistock Square garden on Dec. 16, 2004, to commemorate the centennial of the arrival of his uncle Leonard in Colombo, Ceylon

Cecil Woolf planted this Gingko biloba tree in Tavistock Square garden on Dec. 16, 2004, to commemorate the centennial of the arrival of his uncle Leonard in Colombo, Ceylon.

Cecil Woolf at 46 Gordon Square, where Virginia lived from 1905-1907.

Cecil Woolf at 46 Gordon Square, where Virginia lived from 1905-1907.

No walk around London would be complete without a stop at a bookstore, so we visited Persephone Books.

No walk around London with Cecil Woolf would be complete without a stop at a bookstore, so we visited Persephone Books, 59 Lamb Conduit Street. The shop carries books from Cecil Woolf Publishers.

We were guided along the way by "Virginia Woolf Life and London: Bloomsbury and Beyond," written by Jean Moorcroft Wilson, Cecil's wife of many years.

We were guided along the way by “Virginia Woolf Life and London: Bloomsbury and Beyond,” the classic Woolf guidebook written by Jean Moorcroft Wilson, Cecil’s wife of many years.

Speaking of books, Cecil and Jean publish several new volumes in the Bloomsbury Heritage Series each year, introducing them at the annual Woolf conference.

Speaking of books, Cecil and Jean publish several new volumes in their Bloomsbury Heritage Series each year, introducing them at the annual Woolf conference. Here is part of this year’s display.

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Alice Lowe, contributor to Blogging Woolf, on her latest monograph in the Bloomsbury Heritage Series, “Virginia Woolf as Memoirist: ‘I am made and remade continually’”

Alice Lowe blogs ... about writing & reading & Virginia Woolf

It’s a monograph: “a specialist work of writing on a single subject or an aspect of a subject, usually by a single author.” But indulge me–it has an ISBN, an International Standard Book Number, so let’s call it a book–a small book, but a book (we won’t trivialize it with “booklet” or “bookette”). Thank you!

That said, I’m happy to announce that Virginia Woolf as Memoirist: ‘I am made and remade continually’ has just been released by Cecil Woolf Publishers in London. This is my second inclusion in the Bloomsbury Heritage Series, which includes more than 70 publications about the lives and work of Virginia Woolf and others in the Bloomsbury group.

Cecil Woolf is the nephew of Leonard Woolf and the last living link to Virginia Woolf; he proudly points to Virginia’s mentions of him in her diary as “the boy with the sloping nose.” Cecil’s wife, Jean Moorcroft Wilson, is the general editor of the series…

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Bloomsbury Heritage SeriesEach year at the Annual International Conference on Virginia Woolf, Cecil Woolf Publishers of London introduces several new monographs in their Bloomsbury Heritage Series and distributes a new catalogue of their publications.

The series of monographs is published by Leonard and Virginia Woolf’s nephew, Cecil Woolf, under the general editorship of Cecil’s wife, the acclaimed biographerJean Moorcroft Wilson. Following in the tradition of the Hogarth Essays, these booklets range in length from eight to 80 pages and embrace the ‘Life, Works and Times of members of the Bloomsbury Group.’

Here are the six new titles that will debut at the 25th Annual International Conference on Virginia Woolf.

  1. Natural Connections: Virginia Woolf and Katherine Mansfield by Bonnie Kime Scott
  2. `Eternally in yr Debt’: the Personal and Professional Relationship Between Virginia Woolf and Elizabeth Robins by Hilary Newman
  3. Saxon Sydney-Turner: The Ghost of Bloomsbury by Todd Avery
  4. Virginia Woolf as Memoirist: ‘I am Made and Remade Continually’ by Alice Lowe
  5. Mistress of the Brush and Madonna of Bloomsbury, the Art of Vanessa Bell: a Biographical Sketch and Comprehensive Annotated Bibliography of Writings on Vanessa Bell by Suellen Cox

    Cecil Woolf and Jean Moorcroft Wilson

    Cecil Woolf and Jean Moorcroft Wilson

  6. Septimus Smith, Modernist and War Poet: A Closer Reading by Vara S. Neverow

You can also download the Cecil Woolf Publishers: 2015 Bloomsbury Heritage Catalogue and Order Form and view the complete list of the monographs available in the series.

Cecil is the featured speaker at the conference’s Saturday evening  banquet, where he will share stories of his experiences with Virginia and Leonard.

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Cecil Woolf Publishers’ new monographs usually come out in June to coincide with the Annual International Conference on 2012 monographsVirginia Woolf, but publication of the 2012 monographs was delayed. Now, the long-awaited list of new volumes in his two series, the Bloomsbury Heritage and The War Poets, is here.

Bloomsbury Heritage Series

  • Virginia Woolf and the Spanish Civil War: Texts, Contexts & Women’s Narratives by Lolly Ockerstrom
  • Walking in the Footsteps of Michel de Montaigne by Judith Allen
  • Virginia Woolf as a ‘Cubist Writer’ by Sarah Latham Phillips
  • How Should One Read a Marriage?: Private Writings, Public Readings, and Leonard and Virginia Woolf by Drew Patrick Shannon
  • The Best of Blogging Woolf, Five Years On by Paula Maggio
  • Virginia Woolf’s Likes and Dislikes, Collected and Edited with an Introduction and Notes by Paula Maggio

The War Poets Series

  • Isaac Rosenberg, War Poet as Painter by Jean Moorcroft Wilson
  • T.E. Hulme: ‘One of the War Poets’ by David Worthington
  • Apollinaire: Poet of War and Peace by Jacqueline Peltier
  • Alan Seeger: the American Rupert Brooke? by Phil Carradice
  • Soldier Songs of the Second World War, selected and edited with an Introduction and Notes by Roger Press

See a complete list of the monographs in both of these series.

All of the books published by Cecil Woolf Publishers are available directly from:

Cecil Woolf Publishing, 1 Mornington Place, London NW1 7RP, England, Tel: 020 7387 2394 (or +44 (0)20 7387 2394 from outside the UK). Prices range from £4.50 to £9.95. For more information, contact cecilwoolf@gmail.com.

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woolf_and_the_city2My headline is a blatant come-on. I know that. But I simply can’t resist shouting out loud in cyberspace about Cecil Woolf’s appearance at the Woolf conference.

And that’s not just because he is my publisher. It’s actually because he is such a dear — and the nephew of Leonard and Virginia Woolf to boot.

I met Cecil Woolf at the 17th Annual International Conference on Woolf, which was held in 2007 at Miami University of Ohio, within driving distance of my Northeast Ohio home.

It was my first Woolf conference, and I felt slightly intimidated — despite my advanced age — as I stood by myself at the opening reception. There I was, surrounded by the brilliant Woolf scholars whose books were my friends, even though the writers themselves were complete strangers to me.

Drew Patrick Shannon, a young Woolf scholar from the Cincinnati area, sort of took me under his wing that evening. He and his friends were funny and bright, and they seemed to know everyone. One person they knew — and pointed out to me — was Cecil Woolf.

The next day, while browsing the book tables, I lingered at the one covered with artfully decorated softcover volumes published by Cecil Woolf  Publishers. It was staffed by Cecil himself, and our conversation lasted right through the next conference session.

One conversation led to another, and by the time I drove home from Oxford, I had agreed to write a monograph for Cecil on Woolf and weather, a topic I had been researching and musing about for six years. 

Drew, who congratulated me that day but wondered aloud what idea he could pitch to Cecil, is now writing How Should One Read a Marriage? Private Writings, Public Readings, and Leonard and Virginia Woolf. It will be published in Cecil’s Bloomsbury Heritage Series later this year. 

So if you are on the fence about attending the conference, get off the fence and into the city. Even if you have to beg, borrow or steal the $45 for a one-day pass.

Besides all of the fabulous sessions on the conference schedule, believe this: You won’t want to pass up the opportunity to meet Cecil Woolf. You never know what may come of it. 

Stop by the opening reception for the conference, from 6 to 7:30 p.m. June 4, where I will be signing copies of my monograph, Reading the Skies in Virginia Woolf: Woolf on Weather in Her Essays, Her Diaries and Three of Her Novels. Cecil will be there too.

The signing will be held  in Fordham University’s Lowenstein Plaza Lobby, 113 W. 60th St. in New York’s Lincoln Center.

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Reading the Skies

Reading the Skies in Virginia Woolf

Two Bloomsbury Heritage monographs, including one of my own, will debut at Woolf and the City, the 19th Annual International Conference on Virginia Woolf — and a third is in progress.

Cecil Woolf Publishers of London is the publisher.

The monographs making their first appearance at the June 4 to 7 conference at Fordham University — and afterward — are:

  • Reading the Skies in Virginia Woolf: Woolf on Weather in Her Essays, Her Diaries and Three of Her Novels by Paula Maggio, number 54 in the Bloomsbury Heritage series.
  • Virginia Woolf: A Musical Life by Emilie Crapoulet, number 50 in the series.
  • How Should One Read a Marriage? Private Writings, Public Readings, and Leonard and Virginia Woolf by Drew Patrick Shannon will be published later this year.
VW: A Musical Life

Virginia Woolf: A Musical Life

Reading the Skies saw its first incarnation as a paper written for a graduate class taught by geology professors Dr. Alison J. Smith and Dr. Donald F. Palmer in the Master of Liberal Studies program at Kent State University. The class, which focused on the impact of climate change from the time of the Little Ice Age to the present,  required that we write a weather-related paper.

I was an English major, not a science major, as an undergraduate, so I immediately searched for a literary connection. I did not have far to look.

How Should One Read a Marriage?

How Should One Read a Marriage?

One of our texts was Briane Fagan‘s The Little Ice Age: Prelude to Global Warming 1300-1850. In it, he describes the frost fairs held on the River Thames during the years of the Little Ice Age. In a flash, I thought of Woolf’s descriptions of Orlando and Sasha skating feverishly across the Thames in her 1928 novel Orlando.

From there, I was on the hunt for anything written about Woolf and weather. Amazingly enough, I found nothing. Thus began my own study and analysis.

In Reading the Skies, I explore Woolf’s characteristically English fascination with the vagaries of the nation’s weather and its effect on culture. I also discuss weather’s influence on Woolf and her writing, including her theories about the role weather could and should play in fiction. Finally, I discuss how she carried out her theories in three of her novels, Mrs. Dalloway, To the Lighthouse and Orlando.

I invite you to pick up a copy of Reading the Skies and Virginia Woolf: A Musical Life at the Woolf conference at Fordham for the special conference price of $9. They — along with other monographs in the Bloomsbury Heritage Series — will be available at Cecil Woolf’s book display near the registration table in the Lowenstein Plaza Lobby. Here is the full conference schedule. 

Then stay tuned to Blogging Woolf for news about the publication of How Should One Read a Marriage? We will announce its availability here.

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