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Posts Tagged ‘Cecil Woolf’

25th annual conferenceIf you are still sitting on the fence about attending the 25th Annual International Conference on Virginia Woolf, now is the time to jump off that fence, block off June 4-7 on your calendar, and get ready to travel to Bloomsburg, Pa.

The conference, held at Bloomsburg University, is on the theme Virginia Woolf and Her Contemporaries and will feature some real excitement. Here are some highlights now available on the conference website.

More updates will follow, and registration will open soon.

Cecil and Jean are coming to town

Cecil Woolf and Jean Moorcroft Wilson

Cecil Woolf and Jean Moorcroft Wilson

Most exciting of all will be Cecil Woolf as the featured speaker at the Saturday evening  banquet — and the attendance of acclaimed author Jean Moorcroft Wilson. The couple head up Cecil Woolf Publishers of London. Cecil is the nephew of Leonard and Virginia Woolf, and Jean is a well-respected critic and biographer of the World War I poets and the leading authority on Siegfried Sassoon.

Cecil and Jean have not attended a Woolf conference since 2010, so their participation in this year’s event is a long overdue treat, both for young scholars who have never had the opportunity to meet this notable couple and for Woolfians who have been befriended by the pair at previous events. As is customary at Cecil’s talks, he will share stories of his experiences with Virginia and Leonard.

Septimus, Clarissa and Mrs. Dalloway’s Party

Mary Gordon, Rachel Dickstein and Ellen Mclaughlin at a performance of "Septimus and Clarissa" in New York City in October 2011.

Mary Gordon, Rachel Dickstein and Ellen Mclaughlin at a performance of “Septimus and Clarissa” in New York City in October 2011.

A theatrical reading of Septimus and Clarissa with award-winning playwright and author Ellen McClaughlin and the Bloomsburg Theatre Ensemble is on the schedule. The reading will be followed by Mrs. Dalloway’s Party, giving everyone the opportunity to dress up — or not — in their own duds or the ensemble’s costume collection of hats and scarves.

Poetry and comic fiction readings

Poetry and fiction readings are on the program, with Cynthia Hogue, who has published eight collections of poetry, and Maggie Gee, author of the comic novel that places Woolf in the 21st century, Virginia Woolf in ManhattanVirginia Woolf in Manhattan

From papers to art with a Mark on the Wall

Conference organizers Julie Vandivere and Erica Delsandro have issued a call for papers, and those proposals are due Jan. 24. But a new and exciting twist this year is the call for entries in a juried exhibition of small works on paper that is fittingly titled Mark on the Wall. The entry deadline for those is April 20.

Community members unafraid of Woolf

The conference is also involving local community of all ages. The community is encouraged to form reading groups to read and discuss Woolf novels in advance of the conference.

Organizers are also providing print and multi-media resources to local high school teachers on two of Woolf’s most famous works — A Room of One’s Own (1929) and Mrs. Dalloway (1925) in an effort to get high school students to attend conference presentations and present their own papers. Conference organizers will produce a journal of the best high school and undergraduate papers, and all high school students who present will be able to submit their papers for publication.

Even on a budget

Conference organizers have gone out of their way to make this year’s conference affordable. Registration rates take employment and student status into account, and the registration fee for the four-day event includes six meals. Reasonably woolf_callforentriespriced recently renovated residence hall rooms near the conference site are available, along with other accommodations within the town.

Support the conference

The Bloomsburg conference has several sponsors, including individuals who have donated funds to the Bloomsburg University Foundation to help bring noted speakers to campus and provide travel grants to needy participants. If you would like to make a contribution, you can do so online by donating to the Bloomsburg University Foundation. Just be sure to select “Other” from the designation dropdown menu, and specify “Woolf 2015″ in the field provided.

 

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Joyce Muirhead of the Woolf Plaque Supporters has provided Blogging Woolf with the text of Cecil Woolf’s speech delivered on Frome Railway Station at 2 o’clock on Saturday 22nd, which is posted below. It was made at the unveiling of the blue plaque to memorialize Leonard Woolf’s 11 January 1912 journey to London where he proposed to Virginia Stephen. Blogging Woolf readers helped fund the plaque. 

Cecil Woolf and Jean Moorcroft Wilson at Frome Station.

Cecil Woolf and Jean Moorcroft Wilson at Frome Station

How do you relate a saga that lasted about seven years, full of fascinating detail, in ten minutes ? Well, I will try.

When Leonard Woolf met Virginia Stephen one summer afternoon in 1903,  we don’t know if it was love at first sight, but we do know from Leonard’s autobiography written half a century later, that her beauty, in a white dress and parasol, ‘took [his] breath away’.

Virginia Woolf – to give her her married name – has become a household name, not only in this country and America, but worldwide, so she needs no introduction from me. Leonard was my uncle – that is to say, one of my father’s older brothers. He was an extraordinary man: author and journalist, political thinker and campaigner, feminist, co-founder of a distinguished publishing house and has been pointed out both as a pivotal member and outsider of the Bloomsbury group. As husband of one of the great writers of the twentieth century, he has been somewhat eclipsed, but I think one can say, that without Leonard, the name Virginia Woolf would quite probably be unknown today.

I broke off with Leonard’s brief encounter with Virginia in 1903. For the next six and a half years he lost sight of her while he worked as a Colonial administrator in that far-flung outpost of the British Empire, Ceylon. During that time he kept in close touch with his friend and fellow-undergraduate at Cambridge, Lytton Strachey. In one of his letters to Leonard Lytton announces that he has proposed marriage to Virginia – and been accepted. Lytton, as we all know was gay, so it must have been a relief to all three of them, especially Leonard, that the engagement lasted only 24 hours, thus leaving the field open to himself. Leonard wrote at once to his friend, (I quote) ‘The most wonderful [thing] of all would have been to marry Virginia. She is I imagine supreme [‘supreme’ is a world that occurs frequently in their correspondence]. Do you think she would have me? Wire me, if she accepts. I’ll take the next boat home.’ He asked Lytton to ‘hand on’ his proposal of marriage via her sister Vanessa. Whether either Lytton or Vanessa passed it on we do not know.

Beresford portrait of Virginia Woolf

Beresford portrait of Virginia Woolf

Two years were to pass before Leonard was due for home leave. When he returned, in June 1911. he lost no time in seeking out Miss Stephen. At this time she is described as rather ‘fierce in her manner to most men’. She was a notably beautiful young woman, as we know from Beresford’s iconic photographic portrait, and it is not surprising that she had about half a dozen suitors. But Leonard was not ‘most men’ and the years in Ceylon, ruling an area almost as large as Wales, had not only radically changed his thinking on Colonialism but gained him a great deal  of self-confidence, which together with his steely determination was to stand him in good stead in his courtship of Virginia Stephen.

Leonard’s sister, Bella Sidney Woolf, understood her younger brother well. She wrote to him, ‘You need a very special girl and if you don’t find her you’d better steer clear of matrimony . . . .  If you marry a weak character you’ll squash her. You must marry someone who can hold her own with you and yet be good tempered’.

Sadly, there is no time this afternoon for details. We must fast forward to the time when, at last, Leonard boldly decided the time had come to propose marriage to Virginia. There are a number of versions of Leonard’s proposals, depending on which biography you read, but the one we are here to celebrate today took place on 11 January 1912 when Leonard was staying with his friend the Rector of the Church of St Mary Magdalene at Great Elm. Let me quote what he writes in his autobiography: ‘The change from the incessant whirl of London to the quiet somnolence of a Somerset rectory was the passing straight from a tornado into a calm, or from a saturnalia into a monastery. At last I had time to think. It took me 48 hours to come to a decision and on Wednesday I wired to Virginia asking whether I could see her next day. Next day I went up to London and asked her to marry me. She said she did not know and must have time – indefinite time – to see more of me before she could make up her mind . . .’ (Beginning Again, pp. 52-3)

When Leonard got back to Great Elm Rectory after his visit, before going to bed he wrote to Virginia: ‘I have not got any very clear recollection of what I really said to you this afternoon but I am sure you knew why I came – I don’t mean merely that I was in love but that that together with uncertainty drives me to do these things. Perhaps I was wrong, for before this week I always intended not to tell you unless I felt sure that you were in love & would marry me. I thought then that you liked me but that was all. I never realised how much I loved you until we talked about my going back to Ceylon. After that I could think about nothing but you. I got into a state of hopeless uncertainty, whether you loved me or could ever love me or even like me. God, I hope I shall never spend such a time again as I spent here until I telegraphed. I wrote to you once saying I would speak to you next Monday but then I felt I should be mad if I waited until then to see you. So I wired. I knew you would tell me exactly what you felt. You were exactly what I knew you are & if I hadn’t been in love before I would now. It isn’t, really it isn’t, merely because you are so beautiful – though of course that is a large reason & so it should be – that I love you: it is your mind & your character – I have never known anyone like you in that – won’t you believe that?

‘And now I will do absolutely whatever you want. I don’t think you want me to go away, but if you did, I would at once. If not, I don’t see why we cannot go on the same as before – I think I can – and then if you do find that you could love me you would tell me.

‘I hardly know whether I am saying what I mean or feel. I am extraordinarily tired. A dense mist covered the whole of Somerset & the train was late & I had to crawl my way from the station for 3 miles to the house.’

He ends by writing: ‘Don’t you think that the entrance of Walter almost proves the existence of a deity?’

This last sentence refers to Walter Lamb, another suitor, having arrived while Leonard was with Virginia, which helps to explain the confusion which Leonard alludes to in the opening of his letter.

I know our time is short, but I cannot resist quoting two passages from a letter Virginia was to write to Leonard on May Day 1912: ‘It seems to me that I am giving you a great deal of pain – some in the most casual way – and therefore I ought to be as plain with you as I can, because half of the time I suspect, you’re in a fog which I don’t see at all. Of course I can’t explain what I feel – these are some of the things that strike me. The obvious advantages of marriage stand in my way. I say to myself, Anyhow, you’ll be quite happy with him; and he will give you companionship, children, and a busy life – then I say By God, I will not look upon marriage as a profession. The only people who know of it, all think it suitable; and that makes me scrutinise my own motives all the more. Then, of course, I feel angry sometimes at the strength of your desire. Possibly, your being a Jew comes in also at this point. You seem so foreign. And then I am fearfully unstable. I pass from hot to cold in an instant, without any reason; except that I believe sheer physical effort and exhaustion influence me. All I can say is that in spite of these feelings which go chasing each other all day long when I am with you, there is some feeling which is permanent and growing.’

This is a long letter and towards the end she writes: ‘If you can still go on, as before, letting me find my own way, as that is what would please me best; and then we must both take the risks. But you have made me very happy too. We both of us want a marriage that is a tremendous living thing, always alive, always hot, not dead and easy in parts as most marriages are. We ask a great deal of life, don’t we? Perhaps we shall get it; then, how splendid!’

It is a letter which sends mixed messages. A lesser man than Leonard would I think have been deterred. But Leonard was ready to let Virginia ‘find [her] own way’ and go on as before.. It must have been a golden moment for him when later in May she agreed to marry him. They were wedded on Saturday, 10 August 1912.

As for the marriage, as most of you will know, it was a successful one, despite Virginia’s recurring mental breakdowns. Leonard, as a husband, has been variously depicted as either a long-suffering saint or a harsh, overbearing tyrant. I think Virginia herself should have the last words on the subject. After twenty years of marriage she wrote, ‘If it were not for L[eonard] how many times I should be thinking of death’. (Hermione Lee, p. 319) And again, a few hours before she decided to end her life in 1941, she wrote: ‘I want to tell you that you have given me complete happiness. No one could have done more than you have done. . . . No one could have been so good as you have been’. (Hermione Lee pp. 759-60)

And to close, I would like to pay a very warm tribute to the Woolf Plaque Supporters for all the hard work and loving care that has gone into this permanent celebration of an historical  link. I must also thank Mr Nicholas Reid, the Manager of Frome Railway Station (as well as most of the south-west), without whose support and commitment this project could not have been brought to fruition. I would also like to mention the image of the intertwined elm trees on the plaque that you’ll see in a moment, which have a double significance: firstly they symbolise the village from which Leonard set out on his romantic mission and secondly they remind us of the two great elm trees that stood at the end of the Woolfs’ garden at their Sussex country retreat, one of which Virginia named Leonard, the other Virginia. Their ashes were scattered at the foot of their respective tree.

It gives me great pleasure to unveil  this tablet.

Leonard Woolf bust

Bust of Leonard Woolf in the garden at Monk’s House, Sussex

V Woolf bust Monk's House

Bust of Virginia Woolf in the garden at Monk’s House, Sussex

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Joyce Muirhead of the Woolf Plaque Supporters has provided Blogging Woolf with the following report on Saturday’s unveiling of the blue plaque at the Frome Railway Station to memorialize Leonard Woolf’s 11 January 1912 journey to London where he proposed to Virginia Stephen. Blogging Woolf readers helped fund the plaque. 

They came.  From Huntington, Cambridge, Bristol,  Broadway, Worcestershire, from Cheshire and of course many from London, including Bloomsbury, driving for two, three or four hours across country on a damp chilly late November day to honour the memory of a journey made by Leonard Woolf from Frome Railway Station to London, Paddington to propose marriage to Virginia Stephen.

Cecil Woolf and Jean Moorcroft Wilson at Frome Station after the unveiling of the blue plaque commemorating Leonard Woolf's proposal to Virginia Stephen.

Cecil Woolf and Jean Moorcroft Wilson at Frome Station after the unveiling of the blue plaque commemorating Leonard Woolf’s proposal to Virginia Stephen.

Nicholas Reid gave an accomplished speech mentioning that as manager of many stations on the Heart of Wessex line, Frome is a favourite.  He elucidated the history and iconic status of Frome Station, with its unique shed style, within the national rail network.  He briefly outlined the trials in achieving all necessary permissions to erecting the plaque, despite renewal of franchise, total refurbishment of the station and the worst floods in living memory.  He hoped that it would encourage passengers, glimpsing the plaque as they journeyed to and from the coast, to stop off and visit Frome.

Cecil Woolf gave a vivid and lively speech, in spite of his eye operation only two days previously and his three-hour drive through difficult traffic conditions, and spoke movingly and affectionately of his uncle and aunt, Leonard and Virginia.  He talked of their first meeting, of Leonard’s reaction to her astonishing beauty, of their courtship and of Leonard’s recollections of Frome half a century later. He read from the letter Leonard Woolf wrote from The Rectory at Great Elm, which expressed  his turmoil and exhaustion of that day and he went on to speak of their subsequent marriage and the many extraordinary achievements that their partnership produced.  He then unveiled the plaque to enthusiastic applause.

Graham Muirhead, as chairman of the Woolf Plaque Supporters, the group responsible for raising the funds and organising the event, thanked Cecil Woolf, Nicholas Reid and his colleagues from First Great Western, three successive mayors and the town council, the donors and the Societies who had contributed so generously and travelled so far for their support.   Finally, he expressed the hope that the plaque would inspire others to set out on their own journeys and to explore this rich vein of literature.

After photographs, the arrival of the next train signalled a move to the Cheese & Grain hall where Lotty Evans produced a delicious afternoon tea inspired by the Bloomsbury Cook Book. It provided a fitting finish to a thoroughly successful and enjoyable afternoon while people chatted and looked at the display of quotations and photographs.

Those attending the unveiling included: Mrs Sheila Wilkinson co-founder and vice chair of the Virginia Woolf Society of Great Britain and her husband David; Dr Surendra Paul, chairman, Leonard Woolf Society; Nathan Sivasambu, co-ordinator, Ceylon Bloomsbury Group; Dr. Jane Russell and Seneca Weeraman, Leonard Woolf Society members; Martin Bax M.B.E., chairman of trustees, Rook Lane Chapel; Dr Emma Robinson, chairman, Frome Heritage Museum; Councillor Peter MacFadyen, Mayor of Frome; and members of the Woolf Plaque Supporters.

Read a BBC News report of the plaque unveiling.

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With the exception of Virginia and Leonard Woolf themselves, Caroline Zoob and her husband Jonathan are thevw garden only two people who have had access to the garden at Monk’s House year in and year out. But we can all get a glimpse of the year-round beauty of that special place through Virginia Woolf’s Garden: The Story of the Garden at Monk’s House

As Zoob puts it in her Introduction, the couple “opened the curtains each day to see the garden spread out below, still shaped according to Leonard’s inspiration” during their decade-long tenancy of Monk’s House, from 2000-2011.

And in his Foreward to the volume, Cecil Woolf, Leonard’s nephew, offers recollections that go back even farther. He writes about his visits, beginning in 1936, to “that charming house and garden” where he pushed open “the creaking wooden gate” to what he remembers as a “little Eden.” The book, he writes, “brings back memories of long-ago visits before and after the war.”

Story of a home and garden’s evolution

Zoob’s 192-page book is divided into seven chapters that tell the story of the home and the garden’s evolution since 1919, when the Woolfs discovered the home in Rodmell, Sussex and were immediately enamored of the garden. The hefty book gives us a tour of that garden and fills in the background as well. And at the end of each chapter, a different garden “room” is described in detail.

Featured throughout are full-color photographs by Caroline Arber, who was a frequent visitor to Monk’s House during the Zoob’s tenure at the home. The photos include wide views of garden elements such as The Flower Walk — the borders running from the lawn steps to the Orchard — and crisp close-ups of individual flowers, such as Leonard’s beloved roses. They show Monk’s House and its garden transformed by the seasons — with the bursting bulbs of spring, the vibrantly colorful blooms of summer and the snow-capped garden sculptures of winter.

Old alongside the new

Archival photos of the Woolfs and their friends at Monk’s House are juxtaposed alongside photos of Monk’s House in the present day. An old photo that I had never before seen pictures Virginia standing outside her first writing lodge, which was converted from a toolshed. Zoob found the photo at Sissinghurst, and although a cropped version was printed in Volume 3 of Woolf’s Letters, the untrimmed new version includes the loft ladder.

Leonard's desk, as pictured on Pages 122-123.

Leonard’s desk, as pictured on Pages 122-123.

Interior close-ups of such things as both Virginia’s and Leonard’s writing desks are a special treat. Others show intimate views of details not available to visitors to the house. One includes an oak step leading toward the kitchen that is visibly work with use. Another is a 1970 photo showing the kitchen before the National Trust remodeled it for tenants.

Charming garden layouts in textiles

Another charming element of the book are the garden layouts. At first glance, they all look like watercolor sketches — and some of them are — but upon closer inspection it is clear others are textile art — a combination of embroidery and appliqué with inserted text.

Treasure available Oct. 14

The Italian Garden, picture in fabric art at left and in a photograph at right.

The Italian Garden, pictured in fabric art at left and in a photograph at right.

The book, an indispensable treasure for any Woolf fan, Anglophile, or gardener, will be available in hardback from from Jacqui Small Publishing Oct. 14.

Zoob, an embroiderer and textile artist, is the author of The Hand-Stitched Home and Childhood Treasures.

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The Legacy Libraries Project has recreated the personal library of Leonard and Virginia Woolf online.

The project recreates personal libraries held by writers, philosophers, politicians, etc. who have passed away. If possible, it includes a full catalogue of their books, including all bibliographic details to allow for easy searches and a quick book comparison between the members’ accounts.

Colm Guerin recently completed the Woolfs’ library based on the records held by the Washington Statelegacy library University and the Harry Ransom Center. Both facilities obtained their collections after Leonard’s death with the purchase of books from Trekkie Parsons and Cecil Woolf.

Each entry includes the details of any inscription, signature, or dedication made to or from the Woolfs, including the details for Sir Leslie Stephen’s books, which were obtained by Virginia after his death. Guerin said that to the best of his knowledge, it is now the most complete resource for searching the Woolfs’ substantial collection.

Guerin plans to make additions to the account, including a tagging system, reviews of publications written by Leonard and Virginia, and additional uploads of dust jackets published by the Hogarth Press.

A permanent link to this resource is included in the right sidebar. It is titled “Woolf Library” and is located  under the heading “Woolf Resources.”

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Emma Woolf

Emma Woolf

This round of Woolf sightings includes the sightings (16-19) of a live Woolf, Emma Woolf, the daughter of Leonard and Virginia’s nephew, Cecil Woolf and author Jean Moorcroft Wilson.

Her book, The Ministry of Thin: How the Pursuit of Perfection Got Out of Control, was published June 3. She is also the author of An Apple A Day: A Memoir of Love and Recovery From Anorexia. Her eponymous column is published by The Times.

Emma wrote about her Great Aunt Virginia in a May 25 piece in The Mail in which she shares her father’s reminiscences about Virginia, along with quotes from letters, diaries and biographical material regarding her aunt’s illnesses and eating habits.

  1. Why Doesn’t Mrs. Dalloway Get a Day of Her Own?Slate Magazine
    This year, a handful of literary folk in London celebrated another modernist masterpiece, Virginia Woolf’s slender Mrs. Dalloway—which also takes place on a single day in June—by taking a walk around London. They walked “in the spirit of Bloomsday 
  2. 10 things we learned from the London 2014 menswear collections, The Guardian
    Meadham Kirchhoff’s collection, inspired in part by Virginia Woolf’s gender-blending novel Orlando, had twisted cute accessories – rubber carrier bags covered with brightly coloured felt animals – that will definitely have female fans too. Sharing a 
  3. Guess who’s coming to dinnerSouth China Morning Post
    In Mrs Dalloway, Virginia Woolf devotes the entire book to describing a house party. In the 1967 classic Guess Who’s Coming to Dinner, the taboo subject of interracial marriage is dealt with at one of Hollywood’s most memorable suppers. Dinner parties 
  4. Virginia Woolf: The Charleston Bulletin SupplementsThe GuardianCharleston Bulletin Supplements
    In late 1923, Virginia Woolf was writing Mrs Dalloway. She had got to the “mad scene” in Regent’s Park; it was intense and disturbing work. But there were all sorts of other things going on in her life, and here is one of them: she was collaborating 
  5. Virginia Woolf and Quentin Bell’s Charleston Bulletin supplements – in picturesThe Guardian
    When the 13-year-old Quentin Bell asked his aunt, Virginia Woolf, to contribute to a magazine he was putting together for his family it was the beginning of a collaboration which lasted for five years. Take a look at some of the highlights from the 
  6. Couture presentsher Senior NovelMorning Sentinel
    These presentations are the culmination of intensive research and writing on a major English-language novel and are required of all senior English majors in order to satisfy degree requirements. Couture passed her presentation on Virginia Woolf’s
  7. Still a long way to go to full equalityThis is Nottingham
    But, as novelist Virginia Woolf told female undergraduates at Oxford and Cambridge, having the vote was not enough. . To achieve equality, women needed both financial independence and “space”. This underlines the continuing tension hindering 
  8. Room of his own: Man caves thrive
    San Jose Mercury News
    Nearly a century ago, Virginia Woolf argued that a woman needed a room of her own. What would she say now that it’s men who are demanding more than a workbench in the corner of a cluttered garage? “Men are actively pursuing retreat spaces in their 
  9. Rare TS Eliot book under hammer
    Littlehampton Gazette
    The book was published by the Hogarth Press, a private press founded by Eliot’s friends Leonard andVirginia Woolf, with the type thought to be hand-set by Virginia. It is an edition of about 460 copies. It was donated to Oxfam by Colin Cohen who was 
  10. ‘I will not recommend this book to anyone, not even my enemies': The Internet 
    New York Daily News (blog)
    Using Amazon and Goodreads as its sources, “Love Reading, Hate Books” aggregates one-star reviews of everyone from Virginia Woolf (“I really didn’t care if they made it to the lighthouse or not”) to Beowulf (“Did the ideas of holes in the plot never 
  11. Karen Russell: All fiction is autobiographical, Salon
    Those are the kinds of authors that Karen Russell admires (she cites Flannery O’Connor and Virginia Woolf among them), and it’s the kind of writer she happens to be. Russell has been hailed for her “original voice” ever since she published her first 
  12. Beat Generation brought to life in new showKent News
    Their last production was Because Of The Moon, a play about Virginia Woolf. The play focuses on the Beat Generation writers of the 1950s, including Jack Kerouac, Allen Ginsberg and William Burroughs, whose lifestyles and work was based on drugs, sex 
  13. Odd Type WritersHuffington Post
    As a young writer Virginia Woolf preferred to stand while she wrote. Her desk was three and a half feet tall. Quentin Bell, Woolf’s nephew, concluded that the habit was spurred by sibling rivalry. Woolf’s sister Vanessa was an artist who painted at an 
  14. A tale of ordinary madnessThe Independent
    My early heroines had been Sylvia Plath and her Bell Jar, Virginia Woolf before The Hours, andWinona Ryder in Girl, Interrupted. Their breakdowns were a rite of passage for the posh, liberal and bohemian. These were my poster-girls (and they were 
  15. Soldier’s HomeWall Street Journal
    Post-traumatic stress disorder, what was once known as shell shock or battle fatigue, has been memorably depicted in fiction—from Virginia Woolf’s “Mrs. Dalloway” to William Wharton’s “Birdy” to Philip Caputo’s “Indian Country.” Yet because these 
  16. Room to writeWorld Magazine
    Virginia Woolf insisted that in order for a woman to write she needed money and a room of her own. So upon graduating from college, I set out to make a room of my own to write in. I chose an available space in the top of the family shed that had 
  17. What We’re ReadingNew York Times (blog)ministry of thin
    The Guardian: Virginia Woolf’s great-niece, a recovered anorexic, suggests that her aunt also had from the disease. This adds yet another layer of poignancy and complexity to a woman who once wrote, “One cannot think well, love well, sleep well, if one 
  18. Book News: Amazon’s Bubbles, Semicolon RapNew Yorker (blog)
    Virginia Woolf’s great-niece says that she believes her great-aunt suffered from anorexia. In the Los Angeles Review of Books, Leo Braudy on the new documentary “Plimpton! Starring George Plimptonas Himself” and Plimpton’s “tantalizing blend of 
  19. Virginia Woolf was anorexic, claims great nieceThe Guardian
    Virginia Woolf‘s great niece has suggested that her great aunt suffered from anorexia nervosa. Emma Woolf, who has written a memoir of her own recovery from the eating disorder, says she experienced a “painful moment of recognition” when she saw a 
  20. Did great-aunt Virginia Woolf have anorexia? Her great niece, a former Daily Mail
    However, it was during Virginia’s third breakdown in 1913, aged 31, less than a year after her marriage to the writer and publisher Leonard Woolf, that signs of anorexia become apparent: ‘The most difficult and distressing problem was to get Virginia 
  21. iHeart Locket Digitally Protects Your Girls’ DiaryTechlicious (blog)iheart-locket-300px
    From Virginia Woolf to DJ Tanner, keeping a diary has long been a rite of passage for girls. Now, a company named DanoToys is trying to bring the diary into the 21st century with the iHeart Locket, a Bluetooth-powered necklace that unlocks a journaling 
  22. Parallels and paradoxes in Israeli artist’s one-woman group showHaaretz
    In this part it is possible to see some of her most beautiful and important works, among them “The Circle by Virginia” (1975-1976), which refers to Virginia Woolf and appears in two versions (two-dimensional and three-dimensional), and the work 
  23. Review: Kate Tempest at Lyric 2013ForgeToday
    Tempest Kate Tempest is an act who truly encompasses what Lyric is all about; alternative and thoroughly modern. Tempest cites her key influences as including Virginia Woolf, William Blake and Wu-Tang Clan. A cacophony of literary references mixed with 
  24. Eat That, GalanosDrift | Perspective(s) in surfing
    Using Ernest Hemingway’s reflective line as a title and the words of Virginia Woolf and local surf pro Alan Stokes in voice over ‘EAT THAT, GALANOS’ peeks at man’s nocturnal relationship with the ocean and as surfing as an inconsequential by-product of 
  25. The Trials Of Radclyffe Hall by Diana Souhami – reviewThe GuardianThe-Trials-of-Radclyffe-Hall
    Hall’s novel The Well of Loneliness – a gloomy account of the struggles of a “congenital invert” that even sympathetic writers such as Virginia Woolf struggled to defend artistically – was put on trial under the Obscene Publications Act in 1928 
  26. Krista: Making a case for the classicsCincinnati.com
    Contemporary romance writer Debbie Macomber may fill two shelves while literary giant Virginia Woolfis, alas, still searching for some room of her own. Now, no one loves Dostoyevsky more than a library, and if you request a classic, it will be sent to 
  27. The Woman Upstairs, By Claire MessudThe Independent
    Nora finds inspiration in sharing a studio with her and begins working on a series of miniature rooms of iconic women artists on the edge – Emily Dickinson visited by “the angelic muse, her beloved death”,Virginia Woolf at Rodmell writing her suicide 
  28. Pierrot LunairHuffington Post
    Wayne’s Pierrot Lunaire assumes that the New York School that it constantly refers to is the center of everyone’s world: a world in which Susan Sontag and Virginia Woolf interact with Mae West, Patty Duke and Diana Vreeland through the lens of a newly 

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Cecil Woolf Publishers’ new monographs usually come out in June to coincide with the Annual International Conference on 2012 monographsVirginia Woolf, but publication of the 2012 monographs was delayed. Now, the long-awaited list of new volumes in his two series, the Bloomsbury Heritage and The War Poets, is here.

Bloomsbury Heritage Series

  • Virginia Woolf and the Spanish Civil War: Texts, Contexts & Women’s Narratives by Lolly Ockerstrom
  • Walking in the Footsteps of Michel de Montaigne by Judith Allen
  • Virginia Woolf as a ‘Cubist Writer’ by Sarah Latham Phillips
  • How Should One Read a Marriage?: Private Writings, Public Readings, and Leonard and Virginia Woolf by Drew Patrick Shannon
  • The Best of Blogging Woolf, Five Years On by Paula Maggio
  • Virginia Woolf’s Likes and Dislikes, Collected and Edited with an Introduction and Notes by Paula Maggio

The War Poets Series

  • Isaac Rosenberg, War Poet as Painter by Jean Moorcroft Wilson
  • T.E. Hulme: ‘One of the War Poets’ by David Worthington
  • Apollinaire: Poet of War and Peace by Jacqueline Peltier
  • Alan Seeger: the American Rupert Brooke? by Phil Carradice
  • Soldier Songs of the Second World War, selected and edited with an Introduction and Notes by Roger Press

See a complete list of the monographs in both of these series.

All of the books published by Cecil Woolf Publishers are available directly from:

Cecil Woolf Publishing, 1 Mornington Place, London NW1 7RP, England, Tel: 020 7387 2394 (or +44 (0)20 7387 2394 from outside the UK). Prices range from £4.50 to £9.95. For more information, contact cecilwoolf@gmail.com.

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