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Paula Maggio:

Alice Lowe, contributor to Blogging Woolf, on her latest monograph in the Bloomsbury Heritage Series, “Virginia Woolf as Memoirist: ‘I am made and remade continually’”

Originally posted on Alice Lowe blogs ... about writing & reading & Virginia Woolf:

It’s a monograph: “a specialist work of writing on a single subject or an aspect of a subject, usually by a single author.” But indulge me–it has an ISBN, an International Standard Book Number, so let’s call it a book–a small book, but a book (we won’t trivialize it with “booklet” or “bookette”). Thank you!

That said, I’m happy to announce that Virginia Woolf as Memoirist: ‘I am made and remade continually’ has just been released by Cecil Woolf Publishers in London. This is my second inclusion in the Bloomsbury Heritage Series, which includes more than 70 publications about the lives and work of Virginia Woolf and others in the Bloomsbury group.

Cecil Woolf is the nephew of Leonard Woolf and the last living link to Virginia Woolf; he proudly points to Virginia’s mentions of him in her diary as “the boy with the sloping nose.” Cecil’s wife, Jean Moorcroft Wilson, is the general editor of the series…

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Conference organizer Julie Vandivere and student intern Emma Slotterback

Conference organizer Julie Vandivere and student intern Emma Slotterback

I’d never heard of Bloomsburg University before Julie Vandivere volunteered to host the 25th Annual International Conference on Virginia Woolf at her home institution.

Now word of the charming campus and gracious town in which it is located has spread around the world, due to the way the town and the campus teamed up to embrace Woolf, the conference and each one of its nearly 250 participants from as far away as China.

Small-town charm

Welcome Woolf scholars

Just one of the signs welcoming Woolfians to Bloomsburg.

The town’s website boasts “small-town charm and down-home hospitality.” Those weren’t empty words. The town of 14,000 was blanketed with signs welcoming and directing conference goers. Conference events were spread throughout its perimeters. Community members participated in the events and graciously offered directions, greetings and other help. And high school students from the area’s three high schools, Bloomsburg, Berwick and Southern Columbia, had their own pre-conference panels.

The result? Two hundred and six presenters from 14 countries and five continents had the opportunity to fall in love with small town Bloomsburg, Pa., and its university community.

The play, the party, the exhibit, the readings, the banquet

Here are some highlights of the four-day event, Bloomsburg University’s first of an international stature:

    • A total of 68 events — from panels to roundtables to a printmaking workshop to a trip to Rickett’s Glen State Park for a hike and a picnic — with 206 presenters.
    • A powerful Friday evening performance of Ellen McLaughlin’s Septimus and Clarissa by the Bloomsburg Theatre Ensemble. The ensemble had just one day to rehearse and they did a masterful job, with McLaughlin playing the role of the adult Clarissa. According to her, 60 percent of the words in the script were Woolf’s and 40 percent were her own.

      BTE Septimus and Clarissa

      On stage with “Septimus and Clarissa”

    • Mrs. Dalloway’s Party, an after-theater lark that allowed theater goers from the conference and the community to don hats and dress-up clothes and meet and mingle with each other as well as the players, the playwright — and conference guests of honor Cecil Woolf, nephew of Leonard and Virginia, and Jean Moorcroft Wilson, biographer, literary critic and wife of Cecil Woolf.
    • A juried exhibition of works on paper titled The Mark on the Wall that presented the work of 47 artists from as far away as Dubai. Their work, inspired by Woolf and her female contemporaries, was chosen from among more than 400. Co-Best of Show Awards went to Erika Lizée and Carolyn Sheehan. Honorable mentions went to Mischa Brown, Chieko Murasugi and Jacqueline Dee Parker. See the full list of exhibitors. View the catalog to see the entire body of work in the exhibition that will be on display at the Gallery at Greenly Center through June 30. A catalog will be available for purchase on Blurb, as of June 9.
    • A memorial to Woolf scholar Professor Jane Marcus that was coordinated by members of the International Virginia Woolf Society and introduced by Erica Delsandro, co-organizer of the conference.
    • A poetry reading by Cynthia Hogue and a reading by Maggie Gee from her novel Virginia Woolf in Manhattan.
    • Saturday evening banquet where Woolf lovers celebrated her work, as well as their comaraderie, and were entertained by a charmingly humorous two-way conversation between Cecil Woolf and his wife Jean Moorcroft Wilson in which Woolf shared memories of Virginia and Leonard Woolf as well as other Bloomsbury Group members, including Bertrand Russell and Duncan Grant. Of course, the Virginia Woolf Players also made an appearance, with a troupe of Woolf scholars reading some of their favorite comical and serious passages from her work.

      Jeanne Moorcroft Wilson and Cecil Woolf

      Jeanne Moorcroft Wilson and Cecil Woolf

    • The introduction of six new books in the Bloomsbury Heritage Series from Cecil Woolf Publishers of London.

The roundtables

    • A roundtable on modernist theory with Celia Marshik, Judith Brown, Allison Pease and Emily Ridge during which the panelists and the audience engaged in a discussion of high and middlebrow modernism and how such studies could do more to include both well-known and lesser known women authors.
    • An introduction to launching a newly proposed journal, Feminist Modernist Studies, edited by Cassandra Laity and Anne Fernald, that will be published twice a year in both print and digital formats and will attempt to expand the modernist literary cannon to include more women by giving them space of their own.

So many panel choices

Each time slot in the conference program included a choice among four or five panels. That made choosing tough, as most times there were two or more panels I wanted to attend. Memorable presentations I attended included:

    • Anne Martin’s presentation on “Village Community and the Coming of War in the Final Novels of Virginia Woolf of and Dorothy L. Sayers,” which made me want to re-read Murder Must Advertise (1933) and Gaudy Night, (1935), as well as The Wimsey Papers.

      Celiese Lypka and Ann Martin

      Celiese Lypka and Ann Martin

    • Patricia Laurence on Woolf and Elizabeth Bowen and her comment on the “porous borders between poetry and prose” as well as the fact that Bowen was an agent for the Ministry of Information during the Great War.
    • Mark Hussey’s paper on Woolf and Rebecca West, in which he coined the term “modernist star system” and shared the fact that the proof version of A Room of One’s Own includes a two-page passage explicitly blaming women for reflecting men back to themselves as larger than they really are. Woolf makes the same point in the final published version but does so in brief. The passage appears after Woolf’s mention of West.
    • Elisa Kay Sparks’ tongue-in-cheek bar graphs on Woolf’s and Georgia O’Keeffe’s use of flowers in their work, with particular attention to – and entertaining visuals of – the calla lily.
    • Maria Aparecida de Oliveira’s fascinating paper on the correspondence between Woolf and Brazilian writer Victoria Ocampo (1893-1979). The two were introduced at Man Ray’s photo exhibit in London in 1934. After her presentation, Maria told me that the two women writers discussed fascism in their late 1930s letters.
    • Leslie Hankins’ slide show of illustrations that accompanied Woolf’s London Scene essays for the British Good Housekeeping, as well as the stories and graphics that surrounded them in the magazine’s layout.
    • Diane Gillespie’s discussion of Woolf’s rejection of novelists who pitched their books to the Hogarth Press, with a focus on Anne Tibble.

      Diane Gillespie

      Diane Gillespie

    • Eleanor McNee’s illumination of Woolf’s animosity towards her two High Anglican cousins, Dorothea and Rosamond Stephen.
    • A panel on “Woolf and the Political,” with Jean Mills advising that when one hears criticism of Woolf’s racism and classicism, one should “consider the diversity of her audience” and Mary Wilson saying we should “consider the servants as the contemporaries” of the writers we study.
    • On that same panel, Ashley Foster presented her original archival research that documents the Bloomsbury Group’s activism in war relief efforts, such as the Quaker relief effort in the Spanish Civil War. Woolf, for example, attended the Spain and Culture event in June 1937 in the Royal Albert Hall. She also sold her manuscript pages of Three Guineas to support relief efforts and lent her name to the fundraising efforts.
    • Emily Hinnov’s interesting comparison of the patriarchal fathers in Woolf’s To the Lighthouse and Katherine Mansfield’s “The Daughters of the Late Colonel.”

      Emily Hinnov

      Emily Hinnov

    • Drew Shannon’s discussion of Woolf’s and Mansfield’s diaries. In his examination of the diaries on microfilm at the Berg Collection of the New York Public Library, he learned that Woolf’s early diaries were more exercise books than traditional diaries, as she edited them greatly. Woolf used composition books for her diary, and beginning in 1920, Woolf consistently added a long rule on the left side of each page. To the left of that rule, she added the day’s date. Poignantly, Shannon found that Woolf had added the rule on each page of the 1941 diary. All of the pages are ruled, even though the pages after her March 28 death are blank. For readers of Mansfield, he recommended Katherine Mansfield Notebooks, complete edition, edited by Margaret Scott.
    • Karen Levenback brought Florence Melian Stawell to our attention, sharing her work as well as her connections to the Bloomsbury Group.
    • Vara Neverow explained sexual dysphoria in West’s Return of the Soldier, Mrs. Dalloway and the controversial Sylvia Townsend Warner’s “A Love Match.”
    • In a panel titled “Spies and Surveillance,” Mark David Kaufman, Judith Allen and Kimberly Engdahl Coates discussed Woolf and her contemporaries as whistleblowers, subversives and victims of surveillance.

      Sierra Altenbach and Cody Smeltz

      Sierra Altenbach and Cody Smeltz

    • Three undergrads from Bloomsbury University – Cody Smeltz, Sierra Altenbach and Ashley Michler — presented thoughtful papers on modernist masculinity and femininity in the work of H.D., Myna Loy, Emily Coleman and others.

Catch the conference photos

Many photos were taken at the conference and shared via Instagram. Here’s where you can view them:

Catch the conference tweets

Tweets about the conference are still coming in. Find them by searching the hashtag #WoolfConf15. The latest one is posted below, along with a tweet about one of the final panels of the conference.

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25th annual conferenceIf you are still sitting on the fence about attending the 25th Annual International Conference on Virginia Woolf, now is the time to jump off that fence, block off June 4-7 on your calendar, and get ready to travel to Bloomsburg, Pa.

The conference, held at Bloomsburg University, is on the theme Virginia Woolf and Her Contemporaries and will feature some real excitement. Here are some highlights now available on the conference website.

More updates will follow, and registration will open soon.

Cecil and Jean are coming to town

Cecil Woolf and Jean Moorcroft Wilson

Cecil Woolf and Jean Moorcroft Wilson

Most exciting of all will be Cecil Woolf as the featured speaker at the Saturday evening  banquet — and the attendance of acclaimed author Jean Moorcroft Wilson. The couple head up Cecil Woolf Publishers of London. Cecil is the nephew of Leonard and Virginia Woolf, and Jean is a well-respected critic and biographer of the World War I poets and the leading authority on Siegfried Sassoon.

Cecil and Jean have not attended a Woolf conference since 2010, so their participation in this year’s event is a long overdue treat, both for young scholars who have never had the opportunity to meet this notable couple and for Woolfians who have been befriended by the pair at previous events. As is customary at Cecil’s talks, he will share stories of his experiences with Virginia and Leonard.

Septimus, Clarissa and Mrs. Dalloway’s Party

Mary Gordon, Rachel Dickstein and Ellen Mclaughlin at a performance of "Septimus and Clarissa" in New York City in October 2011.

Mary Gordon, Rachel Dickstein and Ellen Mclaughlin at a performance of “Septimus and Clarissa” in New York City in October 2011.

A theatrical reading of Septimus and Clarissa with award-winning playwright and author Ellen McClaughlin and the Bloomsburg Theatre Ensemble is on the schedule. The reading will be followed by Mrs. Dalloway’s Party, giving everyone the opportunity to dress up — or not — in their own duds or the ensemble’s costume collection of hats and scarves.

Poetry and comic fiction readings

Poetry and fiction readings are on the program, with Cynthia Hogue, who has published eight collections of poetry, and Maggie Gee, author of the comic novel that places Woolf in the 21st century, Virginia Woolf in ManhattanVirginia Woolf in Manhattan

From papers to art with a Mark on the Wall

Conference organizers Julie Vandivere and Erica Delsandro have issued a call for papers, and those proposals are due Jan. 24. But a new and exciting twist this year is the call for entries in a juried exhibition of small works on paper that is fittingly titled Mark on the Wall. The entry deadline for those is April 20.

Community members unafraid of Woolf

The conference is also involving local community of all ages. The community is encouraged to form reading groups to read and discuss Woolf novels in advance of the conference.

Organizers are also providing print and multi-media resources to local high school teachers on two of Woolf’s most famous works — A Room of One’s Own (1929) and Mrs. Dalloway (1925) in an effort to get high school students to attend conference presentations and present their own papers. Conference organizers will produce a journal of the best high school and undergraduate papers, and all high school students who present will be able to submit their papers for publication.

Even on a budget

Conference organizers have gone out of their way to make this year’s conference affordable. Registration rates take employment and student status into account, and the registration fee for the four-day event includes six meals. Reasonably woolf_callforentriespriced recently renovated residence hall rooms near the conference site are available, along with other accommodations within the town.

Support the conference

The Bloomsburg conference has several sponsors, including individuals who have donated funds to the Bloomsburg University Foundation to help bring noted speakers to campus and provide travel grants to needy participants. If you would like to make a contribution, you can do so online by donating to the Bloomsburg University Foundation. Just be sure to select “Other” from the designation dropdown menu, and specify “Woolf 2015″ in the field provided.

 

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Cecil Woolf Publishers’ new monographs usually come out in June to coincide with the Annual International Conference on 2012 monographsVirginia Woolf, but publication of the 2012 monographs was delayed. Now, the long-awaited list of new volumes in his two series, the Bloomsbury Heritage and The War Poets, is here.

Bloomsbury Heritage Series

  • Virginia Woolf and the Spanish Civil War: Texts, Contexts & Women’s Narratives by Lolly Ockerstrom
  • Walking in the Footsteps of Michel de Montaigne by Judith Allen
  • Virginia Woolf as a ‘Cubist Writer’ by Sarah Latham Phillips
  • How Should One Read a Marriage?: Private Writings, Public Readings, and Leonard and Virginia Woolf by Drew Patrick Shannon
  • The Best of Blogging Woolf, Five Years On by Paula Maggio
  • Virginia Woolf’s Likes and Dislikes, Collected and Edited with an Introduction and Notes by Paula Maggio

The War Poets Series

  • Isaac Rosenberg, War Poet as Painter by Jean Moorcroft Wilson
  • T.E. Hulme: ‘One of the War Poets’ by David Worthington
  • Apollinaire: Poet of War and Peace by Jacqueline Peltier
  • Alan Seeger: the American Rupert Brooke? by Phil Carradice
  • Soldier Songs of the Second World War, selected and edited with an Introduction and Notes by Roger Press

See a complete list of the monographs in both of these series.

All of the books published by Cecil Woolf Publishers are available directly from:

Cecil Woolf Publishing, 1 Mornington Place, London NW1 7RP, England, Tel: 020 7387 2394 (or +44 (0)20 7387 2394 from outside the UK). Prices range from £4.50 to £9.95. For more information, contact cecilwoolf@gmail.com.

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Emma WoolfIt’s the season of light. Of peace. Of joy. But in the face of Friday’s heartbreaking tragedy at Sandy Hook Elementary School in Newtown, Connecticut, an essay by Emma Woolf, daughter of Cecil Woolf and Jean Moorcroft Wilson, seems specially poignant.

Titled “An Apple a Day: A Special Anniversary,” the piece was published in The Times on Nov. 20. It tells the story of the goodbyes she has said to loved ones who have passed on. And it ends with a quote from Virginia Woolf: “Someone has to die in order that the rest of us should value life more.”

But before it ends, Emma shares this wisdom: “[L]ife is precious. Now more than ever is a time for new beginnings.”

Amen.

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Cecil Woolf Publishers, 1 Mornington Place London NW1 7RP, UK Tel: 020 7387 2394 or +44 (0)20 7387 2394 from outside the UK, cecilwoolf@gmail.com

Each year at the Annual International Conference on Virginia Woolf, Cecil Woolf Publishers introduce several new monographs in their Bloomsbury Heritage Series and distribute a new catalogue of their publications.

Here are the three new titles that debuted at the 21st Annual International Conference on Virginia Woolf, held June 9-12 at the University of Glasgow, and the two that were reissued:

  • Virginia Woof and the Thirties Poets by Emily Kopley
  • How Vita Matters by Mary Ann Caws
  • `I’d Make It Penal’, the Rural Preservation Movement in Virginia Woolf’s “Between the Acts” by Mark Hussey
  • Virginia Woolf, Life and London: Bloomsbury and Beyond by Jean Moorcroft Wilson, a revised reissue available in both paperback and casebound editions
  • Virginia Woolf: A to Z  by Mark Hussey, a reissue available in both paperback and casebound editions

Download Cecil Woolf Publishers Bloomsbury Heritage Series 2011 Catalogue and Order Form.

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Marina Warner and Jane Goldman, conference organizer

Jean Moorcroft Wilson

Vara Neverow and Patrizia Muscogiuri, who provided Blogging Woolf with these photos. More are posted on Flickr. See the Flickr feed in the right sidebar.

At left, Gill Lowe in the pageant skit written by Suzanne Bellamy, pictured at right

Derek Ryan, who played William in the pageant skit, was also one of the conference organizers.
Catherine Hollis, Lois Gilmore and Barbara Lonnquist

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