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Some Virginia Woolf tidbits on a sunny July day too fine to stay indoors blogging:

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Roy Johnson of Mantex Information Design wrote Blogging Woolf to say he has added a new section to his site that is devoted to individual tutorials and study guides on Virginia Woolf’s short stories.

Cover of "Monday or Tuesday (Hesperus Cla...

Cover of Monday or Tuesday (Hesperus Classics)

Here is what he has added so far:

Visit the Virginia Woolf at Mantex page. Woolf study guides on the site include:

Find more Bloomsbury Group materials, as well as biographical notes, study guides and literary criticism on twentieth century authors, including Woolf and other Bloomsbury Group members.

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John Lehman

Information about John Lehmann and other Bloomsbury Group figures has been newly posted to the Mantex site.

Roy Johnson of Mantex Information Design wrote Blogging Woolf to say he has added half a dozen new resources connected to Virginia Woolf and the Bloomsbury Group to the site. Here they are, with links:

Find more Bloomsbury Group materials, as well as biographical notes, study guides and literary criticism on twentieth century authors, including Woolf and other Bloomsbury Group members.

Visit the Virginia Woolf at Mantex page. Woolf study guides on the site include:Between the Acts

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Sighting Virginia Woolf on the Web is a popular pastime. My evidence? The fact that in the past few days, readers of Blogging Woolf and my Facebook friends have sent in a number of Woolf sightings.

Here they are:

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Roy Johnson of the Mantex website is kind enough to keep Blogging Woolf posted about updates to its information about Virginia Woolf and the Bloomsbury Group.

Here are links to recent Woolf-related book reviews:

Read more about author Harris and her work:

 

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platform-of-timeThis week in one of the women’s studies classes I teach, our discussion centered around Marxist-socialist feminist theory. After class, I wondered: What would Virginia say?

The answer — at least one of them — was close at hand. In “Life as We Have Known It,” her account of a 1913 meeting of the Women’s Co-operative Guild, Virginia Woolf writes of her “benevolent spectator” status at the session.

As the working class women at the meeting talk about their demands for higher wages and a shorter workday, Woolf realizes that, as a privileged upper middle class woman, these issues don’t really affect her. Instead, she says, they ”leave me, in my own blood and bones, untouched.” She admits that, “If every reform they [working class women] demand was granted this very instant it would not touch one hair of my comfortable capitalistic head.”

I am struck by the empathy that Woolf expresses in this piece. She talks about the working class women “who worked, who bore children, who scrubbed and cooked and bargained” and contrasts them with women like herself who sit in comfy chairs reading books and take exotic trips to picturesque places.

Middle class women may express sympathy for women of the working class, but their sympathy is “fictitious,” Woolf argues. For women of privilege have no idea what it is like to heat bath water for a husband who works as a miner and scrub his blackened clothes by hand, she says. They don’t know what it’s like to be sent out to work in the fields at the age of eight or be comforted by a glimpse of the sun through a factory window. They don’t know what it’s like to rely on old magazines for their only reading material.

One myth about Woolf is that she was an apolitical effete snob who had no awareness of issues regarding class. I think this essay proves otherwise.

Roy Johnson has posted a review of the Hesperus Press book in which this essay appears, The Platform of Time: Memoirs of Family and Friends on the Mantex Web site. You can read his review here.

The Platform of Time, published in 2007, also contains Woolf’s account of the infamous Dreadnought Hoax, and for the first time in book form, her complete memoir of her nephew Julian Bell.

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carlyles-houseA charming little volume of Carlyle’s House and Other Sketches was published by Hesperus Press in 2003, and Dr. Roy Johnson has reviewed it on the Mantex Web site.

Doris Lessing wrote the foreward for the volume, and she describes the seven sketches it contains as being “like five-finger exercises for future excellence.”

When I brought the volume home with me from England back in 2004, it wore an enticing black band of paper that pronounced it the “First ever publication” of the sketches it contained.

The book still sits unread on my shelf, along with other exciting purchases I made as I traveled to Woolf sites from London to Cornwall.

I have no excuse save the usual one: Too many books, too little time.

You can also read more about the history of the volume here.

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