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Posts Tagged ‘Monk’s House’

Once our Literature Cambridge course on Virginia Woolf’s Gardens was over, it was time for a pilgrimage. So on a bright and sunny July Saturday, we climbed aboard our coach and headed to Monk’s House from Cambridge.

Our driver dropped us off in Rodmell after our three-hour trip and we literally headed down The Street. After a brief walk, we arrived at the front gate of the country home that Virginia and Leonard occupied, beginning in 1919.

It was magical. Walking through the gate and down the path, I felt as though I was on hallowed ground, following in the footsteps the Woolfs had made.

We ate lunch in the garden, watched a dramatic reading of a scene from Between the Acts, with Virginia’s Writing Lodge as a backdrop, toured the ground floor of the home fitted out with the Woolfs’ belongings, and wandered through the garden filled with colorful and profuse blooms.

Follow along as I share some photos from our day.

Front gate of Monk’s House

The path behind the Monk’s House gate

As the Monk’s House guidebook states, “Books dominated the house.” And books are the first thing you see as you enter through the low back doorway. They line the stairs to the second floor.

Off to the left is the original Monk’s House sitting room, furnished with pieces ranging from the 17th to the 20th centuries. The still life design on the fire screen is by Duncan Grant, with the needlework by his mother, Ethel Bartle Grant. The upholstered armchair to its right was Virginia’s favorite, featuring a print by Vanessa Bell.

Another view of the original Monk’s House sitting room, which was created when the Woolfs knocked down a partition wall in 1926. It combined areas for reading, writing, and eating. Vanessa Bell and Duncan Grant painted the dining table — with its geometric design of criss-cross strokes — and four chairs in the early 1930s.

The square coffee table in the center of the room is topped with tiles by Duncan Grant. They depict Venus at her toilet.

A table and six painted chairs with needlework panels designed by Vanessa Bell dominate the dining room. The needlework panels depict bowls of flowers against a window. Grant’s mother completed the embroidery.

The Monk’s House dining room fireplace

The oil portrait of Virginia Woolf painted by Vanessa Bell in 1912. It hangs on a wall between the stairway and the dining room at Monk’s House.

The doorway, framed with roses, that leads from the garden to Virginia Woolf’s bedroom at Monk’s House

Virginia Woolf’s bedroom was part of an extension to Monk’s House built in 1929. It truly was a room of her own as one had to enter it from the garden, as in the photo above.

The fireplace in Virginia Woolf’s ground floor bedroom is decorated with tiles that were a gift from Vanessa Bell. They depict a ship with a lighthouse in the distance.

Virginia Woolf’s Writing Lodge, built in 1934 and and extended in the 1950s by Leonard for his companion Trekkie Parsons. The new space is now used as an exhibition room.

This table sits inside the Writing Lodge covered with her tortoiseshell glasses, folders with handwritten labels that she used for her manuscripts, pen and ink, newspapers, and wads of rumpled paper.

Just one view of the extensive Monk’s House garden, lovingly tended by Leonard, with the central part consisting of a series of small spaces enclosed by plants and joined by a network of narrow paths.

The Millstone Terrace, whose name comes from the millstones the Woolfs found in the garden.

The Fish Pond, one of three ponds Leonard installed, this one on a narrow strip of south-facing garden enclosed on three sides by flint walls.

The lawn at Monk’s House where the Woolfs played bowls and visitors today continue the tradition.

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Our marvelous Literature Cambridge course on Virginia Woolf’s Gardens ended last Friday. But perhaps the best was yet to come.

Our class, along with some of those enrolled in this week’s Fictions of Home class, went on an all-day outing to Monk’s House, Virginia and Leonard Woolf’s home in Rodmell, and Charleston, the nearby home of Vanessa Bell and Duncan Grant and others. Beautiful, incredibly moving, and breathtaking.

I’m traveling today, so only have time to post these tweets. But I promise to provide more about the trip after I am back in a room of my own.

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To mark the 90th anniversary of the first publication of Virginia Woolf’s A Room of One’s Own, Malvern Garden Buildings has created  a writing retreat inspired by Woolf’s writing lodge at Monk’s House in Rodmell for the RHS Chelsea Flower Show, which runs through May 25.

VW's writing Lodge

Virginia Woolf’s writing lodge at Monk’s House

The shed, which was created with the help of the Virginia Woolf Society of Great Britain and Monk’s House, was unveiled by Woolf’s great-niece Cressida Bell on Press Day, May 20.

It is painted a dove grey color and features double French doors opening onto a deck, as does the Monk’s House Lodge.

Inside, the lodge is furnished with a desk in the spirit of Woolf, an armchair with a tray, and a bookcase filled with a set of volumes covered in marbled paper — as was Woolf’s Shakespeare collection. Completing the look are writing paraphernalia and other objects from the 1920s and 1930s.

Once you view Malvern’s creation, I guarantee you will want one for your own back garden. I know I do.

Read more about the project and view photos as well.

A screenshot of the Malvern Garden Buildings Facebook post, as shared by the Virginia Woolf Society of Great Britain.

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I made the leap. I signed up to attend the Literature Cambridge course Virginia Woolf’s Gardens this summer at Wolfson College, University of Cambridge.

Along with others, I will be there July 14-19 learning about the importance of gardens to Woolf’s life and work, from her early story “Kew Gardens” (1917) to her last novel, Between the Acts (1941).

Other course readings include Jacob’s Room (1922), Mrs. Dalloway (1925), To the Lighthouse (1927), Orlando (1928) and A Room of One’s Own (1929).

Daily schedule

Each day starts with a lecture presented by a leading scholar. A seminar or a Cambridge-style one-hour supervision (tutorial) for students in groups of three or four follows, taught by lecturers and post-docs from the University of Cambridge to discuss the topic of the day, looking closely at that day’s text.

Lecturers include Suzanne Raitt, Gillian Beer, Alison Hennegan, Clare Walker Gore, Karina Jakubowicz, Oliver Goldstein, Trudi Tate, Kabe Wilson and Caroline Holmes.

Manuscript, excursions, and more

We will also get to view the manuscript of A Room of One’s Own held in Cambridge.

When the course ends, I’ll head out on two excursions — to Monk’s House and Charleston. I visited both sites in 2004 but am eager to go again.

Virginia Woolf’s writing Lodge at Monk’s House

We’ll also have time to explore Cambridge on our own, go punting, discuss literature with other students, and reflect, the website tells us.

Listen to Caroline Zoob’s podcast

Hear Caroline Zoob, author of Virginia Woolf’s Garden, interviewed by Literature Cambridge lecturer Karina Jukubowicz.

Spots available

There is still space available in the course. You can get more information and book online.

‘Everything tended to set itself in a garden where there was none of this gloom.’
– To the Lighthouse.

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Virginia Woolf’s writing lodge at Monk’s House

Emily Florence, a researcher for Lonelyleap, is working on an audio project about people’s connection to place. She sent the message below to the Virginia Woolf Society of Great Britain. Please contact her directly if you would like to be involved in the National Trust audio project she describes.

I am a researcher at Lonelyleap working on an audio project for the National Trust about people’s connection to place. I wondered whether you or any of your members who have visited Monk’s House might be interested in participating in the project. Obviously the house is a special place for anyone with an interest in Virginia Woolf and so I imagine there may be many people who feel a strong connection to it. Would you mind posting this on your group and asking anyone interested to get in touch via the email stories@lonelyleap.com?

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Literature Cambridge will offer two interesting summer courses next year.

Virginia Woolf’s writing Lodge at Monk’s House

Virginia Woolf’s Gardens will be held July 14-19. The course will emphasize the importance of gardens to Woolf’s life and work, from her early story “Kew Gardens” (1917) to her last novel, Between the Acts (1941).

Other course readings include Jacob’s Room (1922), Mrs. Dalloway (1925), To the Lighthouse (1927), Orlando (1928) and A Room of One’s Own (1929).

Lecturers include Suzanne Raitt, Gillian Beer, Alison Hennegan, Clare Walker Gore, Karina Jakubowicz, Nadine Tschacksch, Trudi Tate, Kabe Wilson and Caroline Holmes.

An optional visit to Monk’s House and Charleston will be offered.

Fictions of Home: Jane Austen to the Present Day will be held July 21-26 at Wolfson College, Cambridge. The course explores ideas of home in literature, from the early nineteenth century until today, from Jane Austen’s Pride and Prejudice and Northanger Abbey, through Dickens, Katherine Mansfield, and Virginia Woolf, ending with contemporary refugee writers.

The provisional course reading list includes Jane Austen, Pride and Prejudice (1813); Jane Austen, Northanger Abbey (written 1798; published 1817); Charles Dickens, David Copperfield (1850);
Virginia Woolf, Mrs Dalloway (1925); Katherine Mansfield, Collected Short Stories (mainly 1920s);
Viet Nguyen, The Refugees (2017); Viet Nguyen, The Displaced: Refugee Writers on Refugee Lives (2018); David Herd and Anna Pincus, eds., Refugee Tales II (2017).

Instructors include Alison Hennegan, Isobel Maddison, Clare Walker Gore, and Trudi Tate.

Bookings open soon.

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Share a photo of your room of your own with Virginia and Leonard Woolf’s Monks House.

The National Trust property in Rodmell, East Sussex, is creating a Woolf installation in her writing lodge, and there are two ways you can get involved:

  • Send an image of “A Room of Your Own” and briefly describe what you do in the space.
  • Donate your copy of the book, highlighting your favorite word, lines, or passage. Doodles, highlights and margin notes are welcome!

All images used will be added to a database and combined with other images to create an audio-visual installation. Books will not be returned.

Find out more about the A Room of One’s Own project.

This project explores the significance of the room in Virginia Woolf’s text as a creative space, be it real or psychological. – National Trust website

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